For Better, For Worse

I'm back in Brighton after four days at home in Wales. I saw my sister, I saw my Mum. I even visited the nuns at Poor Clares. And I went to a wedding.

I usually tend to subscribe to this commonly held misconception: the present is what's here now, the future is yet to come and does not yet exist, and the past, well, is in the past. All that sails into it is gobbled forever.

This weekend I remembered a different reality: that the present is disappearing even as I live it, that the future can never be separated from what is happening now. And the past? Well, it never really goes away.

So, at the start of this new year, after eighteen months of watching my mother ebbing away before my eyes, after losing a dear friend, I turn around and suddenly notice that nothing has ever really left me, and that no matter what it feels like in those emptiest of moments, nothing is ever lost.

I don't understand this, but I know it's true. And as I sat at a long table in Wrexham Lager Club, melodies from old Motown songs swirling around my ears, a cocktail stick with cheese and pineapple on my plate, I became absolutely certain of it.

The most painful thing about the passage of time is that you can't bring back what has gone; you can't turn the clock back, you can't undo the mistakes or right the wrongs. You can't recapture what is lost. You can't ever, as it were, go home again. But what do you know; sitting at that table, I realised, it all goes on living inside us anyway, the good and the bad. Something endures.

I finally found an hour on Monday to visit the Convent that sits next to our old house. I wanted to say hello, keep up the contact I've begun. I sat in their chapel listening to the sounds of nuns laughing and running for lunch, then I got down on my knees and prayed. Strange as it sounds, I find it hard to pray very much in Brighton. But there, in that quiet, holy place, it felt the most natural thing in the world. And I remembered that thing about the past again; I felt the holiness pouring through the windows, through the wood of the bench I was sitting on, through my own bones. Something that's there all the time, I just can't see it, flooded the chapel with light; it bounced off walls and reflected off bronzed figures, hitting the sides of benches and lighting up the corneas of my eyes.

I remember this light from when I was 8 years old and kept a picture of St Francis above my bed. I would peer from my bedroom window into the Convent garden next door, watching the nuns as work or giggling together. I never thought one day I'd be on my knees in their chapel, feeling that holiness from inside those walls.

The wedding on Friday was of the father of my ex-boyfriend to his long-term partner. I've known my ex for nearly 19 years, and when we were still together, his family were like my own. He is my kin. And I know what it took for my ex-boyfriend, his brothers and their father to get to the point of making that wedding happen. I also know what it took for me to be there. The amount of love I experienced that night was so strong that for at least part of the evening I was pinned to my chair by the sheer force of it. I caught the train home, humbled and exhausted. The feeling I had was the same as on that chapel bench.

Time passes, but the bonds of real love remain untouched, perfectly in tact. I want to try and remember this. And I know I'll forget it again. I know I'll see the failing flesh of my mother, the darkening of her eyes and I'll not be able to see past the withering skin and mind; it will engulf me. That is the other mystery. We remember, we forget. Only to remember again.

Hoppy mew year

Yesterday, I did two decorating estimates. The first was for an older couple. As I entered their rather posh house, both immediately apologised for the amount of sneezing and coughing they were doing, stricken as they were by wretched colds. "Don't come near me!" the man cried, waving his tissue in the air.

During the second estimate, the guy happily announced how he was just over 'it', and how he didn't intend to walk out through his front door again until late spring. Later, I went and paid my rent on Church Road, and the woman in the office (usually somewhat disinterested and abrupt) sniffed feebly as I entered before telling me, her nose almost sunk to the desk, how she hadn't even been able to even smell her Christmas dinner.

So after having spent the whole of my Christmas (except for Boxing Day afternoon: Soho, cream cakes, mad art directors, the hovering spirit of Noel Fielding) and the whole of New Year (both days entirely alone with my Kleenex), ill and partially bed-ridden with a cold virus, I've found that the whole world is steeped in tissues and a vague kind of misery.

This has cheered me up no end. I have a small sense of what it might have been like during the Blitz. A kind of snotty camaraderie is forming between people and I can feel an invisible, mucus-y thread binding me to the rest of humanity. It is the groggy, snotty, raucous cough of interconnection.

Bless. Suddenly I realise that probably most people have had a miserable Christmas, most people have got through it as one gets through a very hard day of explosive- detonation-training at Special Forces Unit Camp, and are now crawling their way forward into the new year with dripping noses and a dangerously low bank balance.

Luckily I don't have to worry about the dangerously low bank balance, seeing as mine is perpetually dangerously low anyway, and my spending on New Year's Eve came to, erm now let me see; NOWT. After bathing in a luxurious concoction of self-pity, bitterness and frustration upon my return to Brighton from Yorkshire (propped up in Bob's car, wondering if it is possible for a nose to actually explode on impact from a particularly violent sneezing fit), I moved into New year with the help of crap music from Kylie Minogue (I know she's meant to be majorly talented, but it's such an effort to stay awake during her 'amazing' performances) and Madness on Jools Holland. You could see how that might be a little soul destroying.

However, I also discovered my watercolour pencils, and, following on from some rubbishy sketches I did at Bob's, I immersed myself in painting some characters I'm thinking of featuring in a little story book that's going round my mind at the moment. So I can say, with some satisfaction, that I passed from 2007 to 2008 in the company of small girl-boys, creepy men in top hats, dogs and some singing nuns.

Art has always been a kind of secondary love for me. I've always been quite good at drawing, and particularly sculpture, but have always felt that even if I applied myself to it, though I might get pretty good, I'd never be as good at it as I would be at writing. I am generally more sound and word orientated. But then, maybe this lack of confidence comes from my art teacher in 5th Form hanging my final Art Project over the Home Economics sink and cackling " Ha! Let's see what she thinks of this!" (She was literally a witch, I think, and we did not get on).

I love art and it feels like a little piece of a puzzle has come back for me through getting back in touch with it. I love creating worlds; usually I do that through words and in musical notes, but when that world grows a face - literally, when you can see the face of that world forming, it is so exciting, it's like growing another sense.

Do you remember that Smiths' line from 'Shoplifters of the World Unite'? I tried living in the real world, instead of a shell, but I was bored before I even began. That's how I generally feel about life. I'd rather stick my head up the backside of genius any day; I'd rather fly around my own head or land on the ear of another listening, twinkling soul who is blinking into the darkness than give this world that rules me the credit and attention it so wrongfully steals.

Yes, in some ways to say this is silly and it's vain. But the world takes from me what it will anyway, and the alternative; this crazy un-sensical magic inside my head, ah, it's a ragingly beautiful fiery mess, and I love it.

Up North

It is quite possible to find something awful and beautiful at the same time, to feel love and joy and some terrible, irredeemable loss all rolled up into one tiny ball. Thursday was like that, an exhausting, endurance test of a day that shone with life and connection and even some smiles.

The funeral was a good funeral, a fitting farewell to my friend, not glossing over the loss, not remaining stuck in its black tar. Flowers were wound into the pale wicker of his coffin and candles were lit, a round was sung, and the words here I walk in beauty/beauty is around me/above and below me would have been enough to break through even the most closed of hearts.

But the disbelief at the situation was palpable. Not only myself, but, it felt everyone in the room could not believe that the young man in the photo on our programmes, with his sweet smile and his floppy fringe, was the same man lying before us in a wicker box.

I don't think we ever come to terms with the mystery and pain of someone disappearing forever. But this, so sudden, so senseless somehow, is hard to take. There is something so appalling about seeing a father struggling to speak about his son, who now lies before him, cold as stone. No father should ever have to do this. It feels like an anomaly in the nature of things. But one thing I am learning as I grow older is that senseless things happen to people who don't deserve them all the time, and that it isn't personal, it might be unfair, but our universe wasn't, isn't and never will be a fair universe. It is as it is.

But I can still feel angry about this. I still open my eyes wide and perplexed as I try to make sense of how my friend's life ended so suddenly, when he was so happy, and had so much to live for, so much left to experience and to give. And how my own story of him, and with him, has suddenly ended. I won't be taking up the strands of our friendship and marvelling at the next port where it will be stopping. This is it. This is that final port. The final stop happened when I hugged him on a chilly beach, a blue sky above us some weeks ago. If I thought we might be coming together again to be there at yet another significant time in our lives, I never thought it was to be at his own death, and that I was to be there, waving him off to somewhere I shall not be able to follow. Not now. Not yet.

Funerals are profound things, everyone so raw, so honest, so real. Death makes the best (and the worst) come out in people. It makes people speak truths they would never otherwise say, it makes them open to things they might usually brush over and dismiss. In that way, they can feel like the most real, and therefore, nourishing places to be in, devoid of the usual bullshit. And they can be poetic and beautiful and awe-inspiring.

But one thing I often experience at funerals is the ridiculous way that profundity and mundanity sit side by side. People utter the most profound words, and the sight of a coffin bearing someone you love inside it is enough food for contemplation to last a lifetime.

Yet, for me, there is also this edge of knowing that life in all its mundanity is carrying on. And a certain black humour can arise in me. People fluff up lines, taxis don't arrive and there is always that moment when the pallbearers lift the coffin high into the air when I feel a certain hysterical laughter rising in my throat. It is the uneasiness on their faces that makes this feeling well up in me, and the terrible possibility of what could happen should their hands slip. Funerals contain drama; they act out some mighty cosmic drama that is going on, unacknowledged, around us every moment in our lives. And they also include all the fragility and ridiculousness of it as well.

We spent a couple of nights in Manchester, the five-hour drive seeming too much to contemplate straight after such a day. So, following chilli and cake at the Manchester Buddhist Centre, I wobbled out into the town centre with Bob, like a homing pigeon, heading straight for Afflecks' Palace. Realising the toll that the day had taken on my system, I stood at the top of the building, trying to catch my breath, realising I needed to sit down somewhere calm and not try and follow the footsteps of my past, my days of living in Manchester, right there and then.

We went and had brandy hot chocolate in the Night and Day cafe, a huge, eight foot painting of Ian Curtis on the back wall. Oh Manchester. I was there for seven years, and so many significant things happened to me during that time, one of them being that I met David, and we began both our friendship and our life as Buddhists there. After our drinks, and feeling much more grounded, Bob and I ventured out onto Oldham Street, and spent the next couple of hours trawling the streets we both knew so well (he also lived in Manchester for years), past Dry Bar and Eastern Bloc Records, to Piccadilly, where they'd installed an outdoor ice skating rink.

Manchester's so upmarket these days. It smacks of money in a way that it never used to. Who'd have thought that the IRA obliterating the entire city centre would precipitate such a major transformation of the city. I remember walking as near to the exclusion zones as was allowed, months after the bomb, and staring in awe at the bare skeleton of the city's shops, a ghostly feeling following me through the streets. Now it's all Harvey Nics and art galleries.

Though I'm glad it has been rejuvenated, I can't help feeling that it has lost some of its soul. We wandered all the way down Cross Street, past Albert Square and its huge inflatable Santa, its German Christmas Market, and down past the Peveril of The Peak pub. And what do you know; The Hacienda is now a swanky block of exclusive, trendy, metal fronted apartments, with its own underground car park full of flashy sports cars. Businessmen rest their rich and conservative heads in what was one of the most decadent, ground breaking and influential nightclubs that's ever opened its doors. Oh, the fucking irony.

After staying with some very welcoming and lovely Buddhists in Salford, with the frost wiped from the car windows and some porridge in my belly, we drove home. Back in my flat in Brighton, I am still left wondering what my relationship to the North is, and where my dear friend has gone.

This week has sometimes been...

and even like...

but mainly, it's been...

Sunday

It has been a queer and blustery week. The wind and rain have been relentless, ferociously banging on my window, demanding to be let in. I've stolen precious moments of my days snatching at my copy of Wuthering Heights, wrapped up in the book's bleak pages while the storms raged outside, happy and content amid the ravages of Emily Bronte's violent narrative.

Then on Thursday I received some shocking news about a friend of mine. He had been taken into hospital with an infection and was in a critical condition. As the evening passed into the next day, I finally discovered the harsh truth of what had happened - from a sore shoulder all week they had discovered an abcess and the abcess had burst, then blood poisoning. He was in a bad way until Friday morning, and then I got the news on Saturday that he had died. I've been wrapped up in sadness and shock ever since, unable to make any sense of what's just happened.

I've just been standing in my hallway, in fact, looking up towards what you might call heaven, talking to my friend. But as I was standing there, I suddenly came to and realised that actually, heaven isn't up there, just above the sky, and that I was in fact simply staring right up at the leaky hole in my ceiling where a load of dirty water poured through onto my carpet during this morning's storm. I felt silly then, for trying to talk to my friend through a leaky hole in my ceiling, as though he might hear me.

This feeling of silliness has stayed with me. I really don't know where my friend has gone. All I know is that he has gone. Suddenly, shockingly, tragically. And I can't seem to help this crazy reflexive movement in my mind that keeps telling me he is just up there, either in in some white and clean realm looking down on me, or else, kind of whirling through space, making his way towards another life; revisiting the places of his last.

These feelings seem so naive; so child-like and simplisitic, as though I'm desperately trying to map out some unmappable territory, give some kind of clear and sign-posted geography to that which is utterly mind-blowing, devastating and bewildering. I want to know the way to Heaven, or that there is a course through the Bardo, because otherwise, I'm just baffled. Baffled and lost.

But the truth is, it's unlikely that he's just hovering around in the ether watching me go to the toilet and clipping my toenails, waiting for me to strike up a conversation with him. Or that he's in psychic connection with me, floating about the stars. I know I don't want to let him go; I don't want to conceive of him disappearing entirely into thin air. I want at least a trace of him. Somewhere. Keep him alive for my own heart's sake. There are moments when I can feel he is so alive, in the tissue and blood of my own heart, in this heart that beats as his does not. But then, that passes, and I am left in an empty cosmos again.

I can't reduce this life to ash and cinder though, to an equation of atoms and molecules, brain and blood cells. The rubble of life is blessed by something incomprehensible to us all. But, oh, it is all too much to try and put into words, and if I were to even try to begin to talk about God, it would be no easy answer either; it would throw up as many questions as I seek to answer.

My lovely friend had everything to live for; he was healthy, he was happy. He had a family. There was no tragedy brooding in his veins, waiting to leap. He was clever, and he was my age. I was going to go up North and stay with him soon, rekindle the warm embers of our relationship, now that we are older, now that our lives have changed in so many ways, and yet still with all those same characteristics and the same relationship as when we first met, almost ten years ago. He was there in my life in some of the most significant times in my life, and some of my most difficult, as I think, I was in his.

Following the last time I saw him, several weeks ago, I believed he was coming back into my life again, after a break of three years. The storyline in my head said we'd soon be back, continuing the next phase of our friendship, and I was fascinated to see what might unfurl. If I did move up North, he'd be there again, in the middle of another massively significant life-change for me. But he's gone now, absolutely gone, without a trace, utterly removed from this world and from my life forever; the story-line has been ripped from me and try and try as I might, I don't understand how.

So I'm going to carry on talking to David through the hole in my ceiling. Maybe he hears me, maybe he doesn't. Maybe he's there, maybe he isn't. But I'll keep talking and I'll keep him in my dreams and in my prayers, in my meditation and in my writing. In my footstep on the pavement. In the letters that he sent me. In the memory of him on the beach with his daughter, flushed and happier than I've ever seen him. He is ever present, in this way. But once my door is closed and the lights are down, my own sadness reveals the truth of his absence, and from that, there is no escaping.

Friday

I went up to London last weekend. The trip left me simultaneously drained and exhilerated at the same time, as it usually does. There's something inherently exhausting about London; even whilst I am still on the train I can feel a certain kind of tiredness descend as soon as I see the rooftops peeping back at me, the Thames blinking into view.

I feel a wonderful adrenalin comedown just at the thought of all those bodies rushing about in their own personal bubbles, trying so hard not to knock against each other in case they might pop. This small act of vulnerability, this knee-jerk response to the giant mass of human life thudding in all directions, a million beings swarming in their own dreams and poverty, riches and frustrations, I find myself falling inline with almost as soon as I've stepped out of the station.

A slippery ambition coats London streets, and Brighton can feel like a lurching lost soul in comparison, steeped in an opium haze, watching the sea roll in, roll out, roll by. It holds a drink to its lips, lazy ardor running through its veins. Brighton sleeps for days.

On the other hand, London has speed and cocaine running like shuttles through it's blood, and it never sleeps. It naps between the noisy car horns and the fumes, the terrorist threats and the boats going up and down the river taking Japanese tourists to Greenwich. Between the housing estates and the delis with their £4 loaves of bread, indifferent shop assistants with concrete faces and eyes like treacle, Tower Bridge sits, luminous and ever watchful over the skyline.

In fact, I did very little whilst I was there, my reason for going, as usual, to see the people I most love, and to remember who I am again, remember the parts of me that come alive when I am with them on some busy dirty London street. A slightly different Clare. And I never leave without some pang of longing for the busy streets and the caffeinated conversations, the deep bonds with people, and the buildings that rear up, jagged, around the Thames, like a shock, like a broken jigsaw, pieces oddly fitting together, but somehow forming perfect symmetry. London is so beautiful I could weep. And it's a beauty that can't be owned. It is its own mistress; rude, loud, manipulative and slutty, but utterly honest in it's unquenchable, ravaged thirst.

If Brighton didn't have the seafront, I'm not sure I'd still be here. Maybe that's a hasty thing to say, but really, without wanting to sound arty and pretentious, (and no doubt sounding so anyway), of all Brighton & Hove's creative life, the seafront is my real Muse. Whereas London surrounds you like a loud, heaving crowd, this part of Brighton stretches out flat like elastic. It feels like it will go on forever, and you can fade into the blues and greys of the horizon, be swallowed up behind the piers and cast into a cloud of black wings, as the starlings swirl like a lava lamp, taking you with them up into the marbled sky above. It is whirling life, breathless poetry speaking in tongues, it is a windy squawking silence that makes me sigh over and over again until my lungs are entirely emptied.

I wonder where my place is. I think about Syliva Plath, buried up North in Heptonstall. I think about the Moors that surround Yorkshire and Lancashire, and allow myself to be swept up in Emily Bronte and the harsh murderous truths that shout across Saddleworth Moor. I think about Manchester (oh yes, still so much to answer for) and North Wales, my home, that took so much to get away from, that has such a pull, like a magnet that both draws and repels.

How long I'll be in Brighton I don't know, if I will stay South of the border or if I'll return to the place of roots and shadows, love and that pain of growing up somewhere I longed to escape from. The truth is, wherever we are, we always want, at some point, to escape the very things that drew us there in the first place. Like a long-term lover who shows you, because they know you so well, too much of who you are underneath the facade, and so you long to be someone else again, reinvent who you are and what you might become. To cast off the cloaks of habit, come hurtling through the tunnel into a new world, a new self, a baby in a fresh universe full of possibility.

I know enough now to know that whatever you run away from, comes back to you at some point, that we take all our selves with us, wherever we go. But change must happen if we are to be still alive, for the blood to not coagulate in our veins until we become stiff and unyielding, rigor mortis in our brains, hearts like vapour, ever drifting off over tree-tops to somewhere where the grass is greener, then returning with a bump of resentment when we find ourselves still here, in our stilted, safe reality. So I'm thinking of moving; whether or not that involves me packing a suitcase, I still can't say.

...

I wake up, stretch. I make tea, cross the room, I move back again. Turn on the computer, turn it off again, shut the door behind me, check it's closed tight. Down the stairs, out on the street, through the rain, passing windows with the lamps just coming on in them, past windows with sticky signs in them selling flights to New York, Paris and the Costa Brava. I am happy. I'm on the move. There is a safety in my step. I buy a scarf. I scour the wet streets for the reflection of shop lights. There's a warm fuzzy feeling inside me. I walk home.

But back inside, a familiar feeling, one which usually comes only during the night, when I and the world are fast asleep. It came last night; I awoke abruptly and stumbled, half-asleep to the bathroom. Night-time is when another me emerges from deep inside, a me I don't recognise. A time for blackness to come running, for a cold clammy fog to swallow up what is not yet left of the daylight. Blocking up my throat, swelling my chest, nothing to be seen. My eyelids droop to the pillow exhausted. I become an invisible ghost, meandering through this room, that room, finding every single one of them empty.

These night tremors, night terrors, which boil me in my own fear, disappear with the morning. I'm left with no memory but the feeling of death on my lips. But was it the man I spotted lurking outside my changing room today, unconvincing as he examined the ties, or the charity shop assistant who looked at me and said "A five pound note? For a 50p scarf?" that chased my heart back down that black road that goes from golden to ash; morning turning into an endless vacancy of stars? I am left quite alone then in the mechanics of my life, oiling the cogs, keeping it moving, mending and re-structuring, whilst the pit opening up in my stomach tells me that this destination is to nowhere, no place to finally rest except the grave, where loss is the only thing I can be certain will never leave. I see Mum's hand, inert on the white sheet. I see my father, turned away. I see three little girls, running.

I realised yesterday, as I discovered a tear welling up in my eye whilst I watched a James Blunt video, that I must be pre-mentstrual. There is no other reasonable explanation for such shocking behaviour. Even so, today I put down my pen, curled up on my bed and let myself fall into the absence, into all the things I wish I had in my life, that I will never have, that are gone, non-returnable, no deposit, finished, done with, ended, vanished. And always at the bottom of it, is my Mum's hand, the softest hand in the world. Once it stroked my hair. Now I stroke it in my mind, kiss it lightly and pray for its warmth to stay with me for just a little while longer.

My life is ok. I can't complain. But when a mood such as this takes hold, there's only a bullet or a hatchet that could feel more sharp and more deadly. Outside, it is raining again, as it has been for days, people strapped into their houses as the water pelts down the streets. I am glad for security. I do not feel guilty for wanting what's safe. No, actually, that's far from true. I am perhaps the greatest devotee of the God of Loss. A true believer. But blackness inevitably passes, leaving only a trace of its scent; a cool, musky, damp scent of freshly turned earth.

No sleep till Moulescoomb..

It's late, and I really, really, should be in bed. I'm sat up in the dark in my pink hooded top, my comfy jeans, and the room is chilly. I'm wondering again, wondering, wondering where it all will end - this mind of mine and this beating chest, these legs of mine that just want to run. Running away from; running towards. My legs go, fast as summer, like a young girl racing to catch the ball that spins through the air in a perfect arch between her parents' fingers.

I run from, I run towards. Across the beach. Through backstreets. Beside car parks. Past bushes and streams. Up mountains. In the rain. Down the front steps. And it's the shadow of the sun on my face that tells me how alive I really am.

I don't feel eloquent. Or articulate. I am back in the world trying to carve out some bread and butter and a way to hold my head up, but... I'd always rather be at home, under the cover of night, communing with the angels and demons that fly around my head. Inside my flat can be a bit of a raucous party, with all the interesting beings that gather there to cause pandemonium and guffawing, who light candles and sing and bring stars out from under their pleated skirts as gifts for me, and occasionally, throw up on my carpet. Evenings here are never dull, that's for sure. We sit together and eat and tell each other our stories. We dance and make love. We fight. We pore over ancient manuscripts. We invent new languages. Especially when I am disciplined enough to turn off Eastenders.

And of course, they all go back to from where they came, whenever guests pop by, or when I am forced out from behind my safe walls into the real world where people stare if you bring out strange creatures, and buses crash if the haloes around you suddenly start singing. No, I go with notepad and pen, a look of efficiency on my face. But tonight I got lost around Moulescoomb in the dark, and, as I wandered around searching for a house number 113 that didn't seem to exist, and waiting to get my head kicked in, I did wonder what the fuck I was doing there. Trying to earn my crust. And that's what it is. 89p, Co-op own-brand white crust. Without butter on. The dryest thing in the Western Hemisphere.

So I come to you, my keyboard and my letters, to cheer me up, and to keep me from falling on the concrete, and the narrow, narrow roads. I pray to you, poetry, like a guardian angel, to keep me always, always, safe at the hearth, in the homes where I belong. Let the creatures guide me across the sea and ice, let the holy ones light up my face when all has gone dark, and let the ones who will never see me, keep warm in their jumpers at night, when the moon has turned her whitest cycle in the reddest sky, for the very last time.

A Note..

I am announcing my attempt to keep a pledge I've made to myself to write on This Beautiful Hunger more frequently. Announcements are a good thing because then if I start slipping into the old 'once a month' styley postings, someone will hopefully notice and give me a kick up my pretty backside.

I've also recently been pondering the nature of this blog following a comment from the lovely and not-exactly-normal-himself, MadPriest about me, namely, that I was, quote, 'as weird as a weird thing on the top shelf in the weird supplies shop.'

I took this as a great compliment at the time, but, as I've been pondering it since, I realise I have been feeling perplexed, as I rarely think of myself as 'weird', or my writing as particularly weird or eccentric or intense or whatever. This might be because I'm me, and me is always going to feel like the most normal thing in the world, and describing my own inner world is always going to feel as natural and ordinary as going to Tesco's, even if I am talking about death, religion, love, loss, obsession, addiction, romance, sexuality, bicycles etc. Perhaps.

I mentioned the comment to Bob, and cited my recent post about a greyhound as evidence for my utter normalness (are dogs not an exceptionally ordinary thing to write about?) but he pointed out that the post wasn't about dogs, it was about crocheting my own greyhound. So it left me confused.

This is something I do find rather fascinating - what we think of as weird and what we think of as normal. I think I find most conventional and supposedly 'normal' ways of life quite freaky, as I don't really relate to a lot of them, and can feel quite out of place. But I wonder how many other people really do either, if they're being honest, or take the time to think about it. After all, the world is, at best, a pretty eccentric place, and at worst, well, it's off its little rocker.

Obviously I don't want to stop writing about what interests and moves me, else, what's the point of writing in the first place? However, my hope is that if I do blog more regularly, perhaps the length of my posts (usually at least a quarter of a mile long) might decrease, and my subject matter might find more new and interesting avenues to travel down.

And here's how normal I am, I'm about to make my tea (rice, veg and egg) and settle down to watch my new favourite tv programme, Top Gear (yes, that programme about cars and things, made by blokes who smoke pipes and have bad Eighties hair) and then, like, have a bath or summat. See. Normal. Me. Ever so.

My friend sent me this the other day, and I have to say I'm well on my way to believing that it could be the remedy for all my dog-longings. Like many of my friends, my desire to have a canine companion has been foreshadowed by the fact that I live in a distinctly bijou attic flat, three floors up. So that means a major trek whenever they wanted the loo, and anything but a drugged, ancient or legless dog would be driven mad by its confining size.

The double blessing of crocheting my own dog would be that it might help solve my financial crisis (I won't be spending any money if I'm perpetually crocheting plus I won't have to pay out any vet fees) and also I get to while away my Winter immersed in crocheting bliss instead of perpetually mulling over tedious existential questions such as where the fuck is my life is going? Handy.

Also, it would mean that I can finally fill the dog basket that lies mournfully empty in my hallway, waiting for some furry fellow to come and grace its sheepskin interior.

A Fierce Beauty

Last night I went and spent money that I didn't have on an evening dedicated to the great Spanish poet and dramatist, Garcia Lorca. I commited this rash act (being, as I am, savagely broke), because Lorca happens to be among a handful of artists who have changed my life, and for whom I would, as they say, lay down on the tracks. So parting with my money to go and see it seemed like a relatively small act of devotion.

Unfortunately, the evening was utter rubbish. It took the most razor sharp of passions, some of the most mortally wounding poetry of the 20th century, and put an old, comfy, pair of slippers on it. Though it makes me sad to say it, it was tragically British.

Lorca lived a relatively short life. He was beautiful and he was homosexual, and in the Thirties, Lorca was Spain's greatest living poet, describing and epitomising a spirit of Spain, a spirit that also manifested in flamenco and in the bullfight. In 1936 he was shot dead by the Fascists both for being a poet and for being a homosexual. He died face down in the mud. He wrote these words:

..there are neither maps nor exercises to help us find the duende. We only know that he burns the blood like a poultice of broken glass, that he exhausts, that he rejects all the sweet geometry we have learned, that he smashes styles, that he leans on human pain with no consolation and makes Goya (master of the grays, silvers, and pinks of the best English painting) work with his fists and knees in horrible bitumens..

I think anyone who creates - who writes, plays music, performs, longs for this state that Lorca describes and that runs through all his poetry, because it contains magic and genius. Or perhaps we don't even need to be an 'artist' to have this longing, in life itself we can yearn for it. But most of the time we are so terrified of it that we want to stick to all the safe roads instead; we seek out the poultice of burning glass, but we don't want it to burn our hands.

As I struggle with my own existence, trying to write, trying to make music that might just have some integrity to it; through the loneliness and insecurity of trying to stay with the process and the wildernesses I often finds myself in, it feels a precious thing to try and keep remembering Lorca.

It's horrid seeing the fear of mistakes and failure embodied in another person's performance, as I did last night; to see all the imperfections rubbed out, and with it, all the lifeforce. It reflects what I myself might become if I begin to let those things rule my own poetry and songs, my performance. And it's sad that those musicians' efforts killed even the possibility of anyone in that audience getting the chance to experience the beauty that Lorca lived, and died for. Better perhaps to stay silent, than to kill the thing you love.

Here is some footage of one of the greatest ever Flamenco dancers, Carmen Amaya, who had left Spain by the time of the Civil War and Lorca's death, becoming a world-wide star. Often dancing in men's breeches and a jacket, she danced steps traditionally reserved for male dancers, and she embodies what Lorca describes as that "mysterious power which everyone senses and no philosopher explains.. a power, not a work.. a struggle, not a thought."

He continues "I have heard an old maestro of the guitar say, The duende is not in the throat; the duende climbs up inside you, from the soles of the feet. Meaning this: it is not a question of ability, but of true, living style, of blood, of the most ancient culture, of spontaneous creation."

By the way, the woman in the first video is Eva La Yerbabuena, who is also incredible.

tuesday

Though I'm pretty sure she doesn't know it, it is Mum's birthday today. She is 72. This is a picture of her with my sister and Aunty before her last stroke, looking happy in the sunshine.


by e.e. cummings

if there are any heavens my mother will (all by herself) have
one. It will not be a pansy heaven nor
a fragile heaven of lilies-of-the-valley but
it will be a heaven of blackred roses

my father will be (deep like a rose
tall like a rose)

standing near my

(swaying over her
silent)
with eyes which are really petals and see

nothing with the face of a poet really which
is a flower and not a face with
hands
which whisper
This is my beloved my

(suddenly in sunlight
he will bow,

& the whole garden will bow)


x x x

I've cut my hair again. Happily (and somewhat unusually) for me, I am experiencing absolutely no post-haircut regret. In fact tonight I'm loving it and am, as a result, rather smug.

I'm also thinking again about what is going on underneath all this compulsive haircutting. I seem to be trimming and pruning almost weekly, my hairdo creeping shorter and shorter, its style wavering about, curling and creeping behind my ears, seeking its shape. With each snip of my scissors, I feel like I'm desperately trying to match how I look on the outside with how I feel on the inside.

My appearance has always been massively significant in my world. I have hidden behind femininity and then I have slung it out in fury. I have utilised its powers and I have been crippled by its limitations. I have blundered around confused as to what this thing called womanhood even is. My clothes and hair have always played a vital part in that, from a childhood of boys' clothes and loathsome haircuts to long hair and a precocious, feminine sexuality at thirteen, when I was a loner indie-kid in my uniform of biker boots, black eyeliner and short skirts. By 15, I was a raver, popping pills and returning happily to baggy trainers and jeans and sexless Mambo T-shirts.

I don't think I really felt remotely female until my early twenties. I think I could pretend like I was one, and there was some sort of inkling in that direction, but on the inside, it just didn't match up. I would scour the magazines for pretty girls who felt like a different species from me.

Also, I realise I can also actually recount the entire last ten years purely in terms of what shade of colour I was obsessed with at the time. At 23, I discovered Buddhism, festivals, hippies, meditation, chakras and Reiki. I moved to Brighton where the sun always seemed to be shining and felt like I had escaped from a lifeless, colourless, dowdy, grey cell. During this period I became obsessed with turquoise, silver and baby pink. I painted my entire bedroom bright turquoise and hung glitter balls from every part of the ceiling that reflected the sunlight a thousand times over. I made a large silvery glitterball shrine devoted to Vajrasattva, the Buddha of purification. He was my discoball Buddha. I wore little baby pink jumpers and sparkly blue dresses and I painted my nails silver. Sounds foul, I know, but I still think it was kind of kookily cool. I revelled in cosmic-girly chic, young and vibrant and a world away from how I'd felt for the previous 7 years, which was old; old and grey as the fucking mountains.



Then I started to get a bit of a feeling for some inner sexual power and my real passions and desires. I got into Mary Magdalene and Rilke and Patti Smith and became obsessed with dark purple. My bedroom became a dimly lit shrine with an abundance of Evolution shop netting, Edward Munch pictures and dyed blue roses. My next room was similar, but this time with little sculpture shrines of broken glass around it, a Garcia Lorca poem handwritten around the top of its walls and a huge purple swirling vortex I'd painted on one wall, six feet high. Then I broke up with my boyfriend and painted over the whole goddamn room in coconut and duck egg blue; light, grounded and non-intense colours. I got rid of the broken glass and the Lorca poem with the painful relationship. I was done with intensity.

When I moved into my present flat, the decor and all my clothes went green, right down to my purse. I became a lady, with a wide brimmed hat and a flat full of birdcages and spotty scarves and flowery teacups. I wore polka-dot flamenco skirts and neckties and my boobs even grew, so for the first time in my life I had a cleavage to show off. I liked my new life as a lady. It was kitsch and camp and over-the-top feminine. It suited my newfound curves and womanly figure. I dressed up in frills for festivals with my friend and we sold chocolate energy balls and gave out free spankings to the highest bidder.

I have a certain fondness for retro chic. The Twenties, Thirties, Forties, Fifties, Sixties, Seventies, I love them all (though I'm still not sure about the Eighties). I find it hard being a modern girl. And at present, I am finding it hard being a girl at all. I have largely eschewed the frocks and skirts, the busty tops. My flat is still a haven for birdcages, Venetian masks and flowery teacups, but the flamenco dresses are firmly at the back of the clothes rail. I've taken to wearing more boyish clothes, comfy jeans, shirts, caps, jackets and sometimes, even ties. I feel stronger somehow in these clothes, and less in need of something, even if I'm not sure what that something is. And I have cut my hair off for the first time in my life.

During a lot of this year, I felt like I just wanted to look and feel boyish. I felt constrained by my hips and my curves as much as I felt constrained by my still insistently alive desire for affirmation from men. I wanted to be free from all of it, perhaps a skinny, boob-less boy-girl. Perhaps I wanted to be free from gender altogether, from sexuality, so I didn't have to work out what it all meant and why it was felt complex. On the one hand I began to renew my interest in gender politics and on the other, I was falling for poetic images in Christianity and saints such as St Francis of Assisi.

Although to some people it may seem like a deep contradiction, to me it feels like maybe it was no coincidence that, as I started going to local Queer events where cross-dressing, sexual ambiguity and androgyny are the norm, I also began going to church and following the trail of saints such as St Clare, who defied religious convention by sneaking out of church down a secret passageway to join St Francis and others in a new, radical way of life, as she experienced a holy conversion. In the dark of that night they helped her cut off all her beautiful hair.

There are now days when I wake up and I want to look feminine and definably a woman. It feels good. So when I stood in front of my bathroom mirror tonight inspecting my new self-administered haircut, I suddenly realised why I liked it so much. There was, at last, the start of a synthesis. It was that same synthesis I've been seeking inside myself these last months.

It is a synthesis of different sides of myself, where one does not have to reject the other for its own survival. Where I can feel masculine and feminine, boy and girl, woman and man and all the shades in between; where those words mean everything and mean nothing at the same time. Where my desire is my own, and not something reflected back to me through the half-light of another's desire for me. Where my sexuality is not what my identity hinges on, and men (and women) do not hold the keys to my self-worth. Where I am hard and soft, potent and yielding, receptive and active. It's a place of the hunter and the hunted, the chaser and the chased (chaste), the doer and the doing, the done; the giver, the taker and the giving itself.

When I strip back the layers of conditioning, take off the years of habitual behaviour, the naked sight underneath is a disconcerting one.

The lady and her polka-dot skirts have left the building. There's a strange boy in her place, with very feminine charms and a gentle touch. She is soft as ever, but with a wilful eye. She is the figure in a photo, me at ten years old, pale blue jumper, jeans and Clarks brown shoes.

Last year my mother suffered a massive stroke that left her brain-damaged and unable to speak, eat or move. The strange thing is that I now find that I have almost the same haircut as when I was ten; just as my mother weaves her slow and painful way out of this world. I cut my first fringe earlier this year as she lay looking the other way, out of the window, in a half-trance. Her words, spoken to me regularly from the age of thirteen, have lain dormant in my mind until tonight, yet they were words that always kept me away from the scissors ...Don't ever cut your hair, never cut a fringe, always keep your hair long; such beautiful hair...

Whatever it is I've lost in that beautiful hair as I chop and I snip, is worth it for what I gain, simply from its absence. It's been a lifetime of seeking myself, losing myself, creating identities and shedding skins. The clock ticks, the sea of life surges on, personality unravels to reveal itself in more brilliant colours than ever. The final bed is made; the sheet turned over. The mirror reflects the light shining on it. A bird takes its final breath. I am alone. The bathroom is empty except for one reflection; a face looking back at me. It is nothing I have ever seen before.

500 Acre Wood

This weekend I went to 500 Acre Wood, near Tunbridge Wells. Bob and I set off there in the car, attracted by its name which reminded us of those endearing creatures from a Hundred Acre Wood in the AA Milne stories.

Place names are so interesting; they can be so evocative, and so unlike the place they are actually describing. As we passed through Crowborough, staring at a map I discovered there was an area in the town called Blackness. So we set off up little streets and round bends to find the elusive Blackness in the heart of Crowborough.

However, after much twisting and turning we found ourselves on a road we could not get off, that wound down the hill and straight into Morrisons' basement carpark. We sat there, amused and befuddled. I guess you never quite know where the Blackness will take you.

500 Acre Wood was just that - not too big with trees still relatively young, only just grazing the sky, leaving ample room for the sun to streak through their leaves. Woods are perfect in Autumn, they feel like the right place to be, like going into some kind of protective womb; a shuffling, muffled silence, broken only by the occasional birdsong; full of life that slowly grows and will soon hibernate or drop its leaves.

I love the dappled darkness in there, the soft damp woodyness beneath my shoes, enclosed yet winding onwards, empty, yet full of presence. In woods I always feel like I am in a room full of silent people. I know that they are thinking and communicating to each other and to me in their own way, but no words leave them. I am well aware of the trees here. They say nothing, but speak volumes. I can't help but be in awe.

As we left the wood, we walked out onto a vista of red and green hills, their vision hazy in my eyes, adjusting as I was from darkness to daylight. We stood by a tree and looked up. There were mosquitoes dancing by a branch. I watched as they circled each other in the bright light and I felt my eyes changing, felt myself change, as the world opened its door and let me in.

I remembered then what I always seem to forget: that whatever it is that's making those mosquitos dance, is the same thing that is circulating in everything. That is still there even when the breath has left and the bones are laid to rest. That brought me here in the first place. Oh yes.

I wonder why I can't see this all the time. Why the vision leaves me often when I most would have it near. It seems an inescapable pattern embedded in my fragile human nature, this forgetting.

I've been reading a lot about St Francis lately. It's been stirring up soul in bowlfuls. This is what GK Chesterton wrote about what happened immediately after St Francis' conversion. It resonated, re-reading it after being at 500 Acre Wood.

He went out half-naked in his hair-shirt into the winter woods, walking the frozen ground between the frosty trees; a man without a father. He was penniless, he was parentless, he was to all appearance without a trade or a plan or a hope in the world; and as he went under the frosty trees, he suddenly burst into song.

I know that I horde life. I keep it under lock and key, lest it leave me alone and lacking. And of course, what we horde, what we think keeps us safe, keeps our very souls imprisoned. I think I know what success means, what life means, what it means to gain and what it means to lose. And I am in a sense right. But so wrong. If I could remember it was never mine in the first place, but a gift, for as long as I exist and longer. If I could know that I am never really alone, even in my loneliest days, or that success can't be measured by worldly standards, only the standard of our souls, I think I'd be a happier person.

But then, somehow it seems that we must forget in order to remember again, and keep trying to follow whatever helps that remembering. Bowing the head, clutching the beads, bending the knee, humming repetitions under our breath. Whether it is in a church or in the middle of shopping centres. Whether it's Benedict or Bukowski. Gautama or Rimbaud. Our betraying friend or our most loyal. Venerating the light. Loving the dark.

Words so easy for me to write, so hard to remember. And I am no St Francis under the frosty trees. Chesterton writes a beautiful description of St Francis' asceticism and finally, his death.

It was not a self-denial merely in the sense of self-control. It was as positive as a passion; it had all the air of being as positive as pleasure. He devoured fasting as a man devours food. He plunged after poverty as men have dug madly for gold. ..It is certain that he held onto this heroic or unnatural couse from the moment when he went forth in his hair-shirt into the wintery woods to the moment when he desired even in his death agony to lie bare upon the bare ground, to prove that he had and that he was nothing. And we can say, with almost as deep a certainty; that the stars which passed above that gaunt and wasted corpse stark upon the rocky floor had for once, in all their shining cycles round the world of labouring humanity, looked down upon a happy man.

Two Left Feet

Tonight I think I need to confess how I'm feeling. Well, I probably don't need to, but I want to; so forgive me for using you as a kind of therapist's couch this evening. For I am confessing to being a mess.

In fact, it was last night when I realised what a mess I was, as I struggled out into town to band rehearsal, full of some strange flu-like illness, and sat wobbling on a high black stool listening to piano keys clunking and red wine being supped. I felt tears pricking my eyes and a familiar welling up inside. Shit. The penny dropped. I am all over the place.

Then something else happened. Something that rarely happens to me. Instead of feeling upset, anxious, fearful, confused and stupid about feeling a mess, I suddenly was overcome by a feeling of alrightness. Absolute alrightness. And I liked it.

I'm one confused human being at the moment. I wonder if this is why, when I am falling asleep last thing at night, my heart keeps doing little pirouettes in my chest and why my dreams are filled with psychopaths. Why I keep having to trim my hair just that tiny bit shorter. Why one day I wear low-cut tops and the next I find myself in high collared shirts. Why I reel from reading the biography of a saint to writing songs about strange animals to compulsively watching a tv show where women are dressed as men and strap-ons are as commonplace as the next soya-decaf-frappucino. All this might not sound too significant, perhaps a bit drama queeny, if you don't know me that well. Or maybe even if you do. But who I am doesn't add up anymore. It doesn't add up.

Tonight I feel less welcoming of this fact. I feel disarmed by myself. I'm also aware of the fact that I'm going to be back in Wales in a couple of weeks, and I know, deep down, I'm really frightened because it brings the mess of me right back into sharp relief. It brings back how confusing life is, and how hard it is living under the shadow of Mum's state; knowing how I've been blocking it out these last months, because if I didn't block it out, I would have become a mess, and I don't want to be a mess, I want to be ok.

So the mess has to cope with only getting little outings, little forays into the world of Clare. And the rest of the time, it is strictly relegated to the world of dreams.

As usual, there is a good side to this. Whether I let it in or not, the devastation of Mum's condition is working on me night and day. And the price I may pay in sorrow for this, is reaped back through all the cracks that grief shows up in my life. It prises the cracks apart so I can look inside and see what truly makes me tick.

I thought I liked it better when I supposed I knew what made me tick, even if it felt constricting and suffocating, like a silk stocking tight around my throat. Now, I don't quite know what to do with all this air. Or what this feeling is in my lungs. I know too well the sting of life. And how things can fester. But this breath inside me, well, it's equally as terrifying. Such a grave responsibility it is: stepping into one own shoes.

The Jobless Question ...

After having spent my day putting ads in papers and formulating ingenious plans to procure work in as short a time as possible, I finally found the answer ...

Wednesday

Looking in from the outside, you might say tonight that I am lucklustre in presence and partially absent of heart, a sleek shadow skulking about the flat whilst the wind gently rattles the windows. But from the inside, I can definitely tell you that the lights are still on and I am definitely home. I just don't want to do any kind of entertaining this evening. I am pyjama-ed and bed-socked. Passers by are most definitely not welcome.

Tonight, all those things that people need to keep them going, all their endearing little idiosycrasies that make them who they are, their quirks of nature, their habits, well, I'd like them to all kindly scuttle away and leave me in my hideyhole, at peace.

Hideyholes are the best, a vital necessity in this day and age where nothing is private, no lines of communication are ever blocked, and people can get a hold of you with the click of a switch just about wherever you are, whenever they wish. Don't we just love all that technology? I know I do. And this post harbours no resentment towards it or towards folk going about their way, in their way. But just for tonight, I want them all to do it somewhere else.

I've spent four solid hours today watching dvds, something I don't actually think I've done since I was a kid, and I'm feeling like a bit of a shameless tv set junkie. You know, it's one of the first signs of a junkie - when suddenly other people become less important, mere side players in the addict's great quest for their own fix and the bliss that ensues.

I tell you, it felt like some kind of divine intervention today when the lady in the Jubilee Library told me that the dvd set I've been chasing had finally arrived back - five minutes before I entered the Library. And when you start bringing God into the equation in such a matter, I think it definitely marks the onset of addiction.

So what else? Well, as we all may have noticed, in one swift and cruel move, winter seems to have arrived, bypassing autumn altogether. Perhaps yesterday counted for both the first day of autumn and also its last. The day had that feeling of summer ending as the first chill of the new season breathed into the sunlight that was still dancing upon the metallic sea. I absolutely love that time of year - frail and filled with poignancy and nostalgia, echoes and fading warmth. Unfortunately, it seems like that might have been it. Today was a bedraggled dog of a day, damp and chilled to the bone, the misery of winter too close on the horizon, etched on people's faces, a lost summer without climax following everybody's steps home.

If I can make some money this winter, I shan't be bothered about its dourness. In fact, I shall welcome it. I have loved my winters in Brighton for the last few years. There's been something so bitterly romantic about them, holed up writing, loving, losing; you know, all the usual stuff. However, significant portions of joy have come from the adventures abroad I plan during winter, because it's then that I can actually afford to travel abroad. Without that, I can see it's going to be a long season, as I haven't got away to any of the places I most yearn to get back to at all this year. And I am seriously pining.

So I can see that without money, life may become an endless trail of trips to the Jubilee Library to get my fill of imagination and excitement, my backside numb from lolling around on couches staring at LA lesbians and New York mafiosi, my eyebrows crinkled and mouth permanently mishapen by all the grimacing I've been doing at the high-octane emotional drama unfolding before my eyes.

Rock n roll. Bring on Episode Five quick.

Sunday

Since I cut my hair, it no longer gets in my eyes the way it used to; it no longer falls down my back in straight lines or spreads across my pillow in the morning. These days, I'm not sure who it is I look like, or who I thought I was before. A new dress, a different pair of shoes, a pair of trousers; a grey felt hat cocked at the perfect angle, and a person can be changed forever. These clothes, this face, my body, are all a mystery to me. My own mirage; the hieroglyphics written here.

Tonight, the world is spinning too fast for me to grab hold of what it's made of or what surrounds it. I'm sitting on the island where I always live, peeking at stars and toying with black holes, wondering which dark galaxy I am heading for next, still not comprehending from where it was I came, still hoping for angels.

Just now, I washed up my things in the sink, switched off the dvd player and came here to this uncomfortable seat to feel my fingers against keys, to feel myself uncoil. The screen becomes for some minutes my lover, my God, the mirror reflecting what I couldn't see otherwise: the lines and cracks, the substance, the light which temporarily blinds me when I am shown it. Damage. Sorrow. Fight. Heaven. And something else I'm not sure I have words for.

Isn't that the struggle and the point of writing? To somehow birth into being what we cannot give a name? And into which letters will it sink itself today? Where is the cadence that will have us all weeping?

Tonight I ache under my ribs with a tenderness that makes me swallow quickly, that makes me fear I'll get cut in two if anyone were to walk through my living-room door right now and show me any more beauty than is already here. Luckily, my front door is bolted.

I'm a slow-moving fish. A rattling train. I whisper too many secrets to myself and wish the world would tell me his. It's getting late, but not late enough. I am genuinely happy for the first time in a long time, and for that I am, as ever, troubled.

Thursday

I've been flailing about lately, as perhap you may have discerned from my recent posts. I could also say I've been a bit in the wilderness, a place without borders or signposts, without a nice cup of tea waiting at home for me, with a few wild animals tracking my footsteps and a distinct lack of fresh water.

I am tempted, as is easy to do, to assume that this is a problem, that something is wrong in me or in my life. To temper this, I find the good old 'New Age' sound bites rising up in my mind. "Follow your heart". "Trust the process". "Everything is a lesson". Oh, to be a New Age writer churning out masterpieces such as "The Little Book Of Wisdom" whilst earning a nice few hundred thousand spondulies.

I digress. I can mock such phrases, but that doesn't stop them from potentially being true. The problem for me, as I suspect it may be for a lot of people who don't feel guided by angels or the will of God, is precisely how to discern exactly what these statements mean. One can follow ones heart, but that doesn't mean it won't lead you straight into a ditch. One can try and trust the process, even if it's difficult, but there's often the niggling doubt that there might not actually be a process going on at all, one may just be in a bit of a mess. On a good day, all is a vast and mysterious lesson from which one grows. On a bad one, well, the word dukkha springs to mind, that is, things are painful and crap, and basically sometimes there can be no reasoning that out. In fact, to try and reason it out is just to try and escape the suffering.

Having said all this, it cheers me up more to think of profound cosmic things afoot in my experience, of processes rising and falling and leading me to a greater understanding of something or other.

So how to find something in this life that endures. That's the question. I know it's all going away, every last drop of this life is disappearing with the clouds, never to return. And living with such fragility and uncertainty, and finding the peace and beauty is certainly what I have been taught to do through Buddhist practice, and what I've tried to do, in whatever ways I can, for years.

But right now it doesn't feel enough. I can't struggle with that existential question on my own. My body isn't large enough to hold the magnitude; this 'self' of mine cannot meet nature, time, old age, sickness and death on its own terms, never mind violence, injustice, poverty, cruelty, betrayal, corruption, abuse of power. I am no one woman army. And the fact that we all stand in exactly the same shoes when it comes to facing life and death means we can be guiding lights to each other, unfortunately our relationships made out of the same fragile and delicate material as this life. We can claim solidarity, but we still face the questions alone.

Perhaps it is obvious, where I'm going in this post. This thing that endures, that can hold all life within it; that isn't separate from life or from the people in it; that's in the buildings and the structures of our existence, the hearts and minds and bodies, as it is in the end of them. But is it an unnameable force which is at once there and not there, an emptiness which is full, a fullness which is ultimately empty; the beauty of transience itself? Or is it a tangible, real presence we can call on, we can count on, that has a name and a face; a body and blood?

I don't know. But these are the questions I don't quite know how to put to rest.

Friday

Tonight I cycled along the seafront. It was late and the air felt still, the sea was dense. There was a pressure in my head which made me speed up on the concrete and my mind feel like it was richocetting off the balustrade.

That's alcohol for you. Inhibitions left to the wind. Thought processes unsteady and darting, like a hundred shoals of tiny fish; full with fleeting feeling, reason empty.

I sped along, unaware of how fast or slow I was going, but at the same time, sure of myself. It was then that I saw them, emerging, ghostly from the recessed darkness of the beach; a man and a woman dressed entirely in white, their robes billowing out like they were two brides. As I sped along, a police car cruised further up the seafront to where more men and more women were dressed in white, emerging from the dark sea. It was a strange sight, stranger still for I remembered then that I'd seen them here before.

In the pub tonight, we spoke, as we always seem to do, of religion and spirituality, each of us, it felt, desperately trying to gather some truth in for ourselves, each of us missing some part of ourselves that we were trying to find, yet telling others that we had already found it.

I shirked at my own feelings on meditation and Buddha and God and finding inner peace. Almost ten years on, I have to ask the question, have I found it? Have I got those answers which seem so integral to positing oneself to others as a 'spiritual' person? No, the questions just get harder. The more I learn, the more and more I get out of my depth and then am forced to swim.

The inner peace I sought in the past, well, now it seems fanciful. Because peace to me used to mean the end of all this tiring, endless shit. But it doesn't. The endless tiring shit goes on and on, for as long as I go on and on, for as long as the world turns in its sleep.

So the question has become one of, do I want reality, or do I want comfort? I ask myself over and over this question, and I still can only answer: both. I want reality and I want truth, but I want that truth to be palatable, not painful. In the words of that great band, Of Montreal, I want my film to be beautiful, not realistic.

But nine times out of ten, reality whoops my ass, so to speak. I was told for years that the only way to happiness is to 'be here, now'. And I can talk like a jaded old thing, but the truth is, they are right; but the question remains, well, how much do I really want to?

I felt blessed by seeing those strangers in their white robes; glad they weren't in their houses tonight watching TV. Glad for the fact that they seemed so strange and unearthly in this all too often one-dimensional world, where spirit is absent too much of the time. And I'm glad I am cycling, using my legs, using my lungs. I want to cycle more, so that my legs ache and I am caught for breath, so that I am finally worn out with effort. Perhaps that is what they talk of when folk talk of peace; it is when you are finally done with trying, and the wind catches in your throat as you breathe it in.