Under The Influence

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I was in the upstairs spare bedroom singing along to Mary Coughlan's Under The Influence - Fifteen or Ice Cream Man, I don't remember which. It was my sister's LP, dragged from a dusty blue case beneath the dresser; slipped from its case and onto my old Rotel turntable. After twenty years, it still had hardly a scratch on it. I've been sneaking Under The Influence in and out of my sister's room since I was thirteen, back when it was a guilty pleasure - sleazy Irish ballads ill-fitting with the rest of my record collection. Coughlan's voice, to me, sounded like burnt treacle. The album must have reached a rousing chorus because when the phone rang I didn't hear it. Emma was shouting up the stairs. When I finally turned it down, walked out onto the landing, and saw her face, I knew that Mum was dead. 

     
A week after the funeral, I was back in Brighton and at work, decorating the house of an eight-and-a-half month pregnant financial adviser who, after we’d finished, stood on a chair checking each doorframe to ensure it was painted correctly. Perhaps I shouldn’t have gone back so soon. But the alternative felt worse: sitting around my flat, staring at my computer screen, listening to gulls rip up bin bags outside my living room window.

     
So I drove myself crazy at work instead. I sweated at the top of a stepladder until ten-thirty at night, listening to bad Experimental Jazz on Radio 3 or crouched in low-ceilinged bedrooms, cutting in skirting boards. I didn’t particularly want to think about Mum. I certainly didn’t want to talk to anyone else about her. I wasn’t particularly sad; in many ways I felt relieved – joyful, even. But friends told me I was vulnerable. That I needed to take care of myself. Stay grounded.
     
Staying grounded was the last thing on my mind.
     
That week, someone new came to work with us. Within a day I’d fallen in love with him. A man already in a relationship, a man with a disastrous psyche. Click-clop-thump— I ran into mess as fast as my Converse pumps could carry me.

But that’s another story. Eighteen months later that same man and I are decorating together again. Things have moved on; the affair long ended, the emotional entanglements of the previous year smoothed out into clear separate strands. It’s autumn and we’re painting a mansion in West Sussex. It’s a country idyll. During tea breaks I stroll down the path towards lush gardens and an orchard with trees hanging with apples and pears. Every so often white horses in the neighbouring field break into a gallop, tearing across damp grass under Wolstonbury Hill. We are painting the windows of a once internationally famous actress – the kind who always seemed to be semi-nude in films, and who was once declared to be ‘one of the most beautiful women in the world’. She smiles at me from her doorway, her un-manicured fingers on her hips, her heavy-lidded eyes free from make-up. Cats curl their tails about her ankles. I take heart in her crumbling beauty and in the wild lawns that surround us. There is now friendship with this man, and the pain of what happened to Mum – those salmon-coloured hospital walls, canteen tea in its polystyrene cup, the hum and beep of life support machines – has faded. I can almost forget how, before Mum died, each time I’d looked from the nursing home window a bird would be hopping about on the frozen earth, or in sunshine, as if to show me my mother’s own soul – how it could be if only it was free to go, leave; exit the building.

Two weeks later, the weather turns, the job ends and the orchard, the summerhouse, the galloping horses all get washed away by a black, pounding rain. My friendship with the man dissolves into mud, accusations hurtling through mean damp air. Again I sit alone in my flat, a little more worn and once more with time to write. I’ve heard it said that grief and sex are inextricably linked: two sides of the same sharp knife. It’s true, the summer after Mum died, I was a bird flying into a shut glass window. But after such a cruel three year period of glacial stasis, I felt finally free. And that meant I was free to fuck up my life however I chose. Because of that, I couldn’t regret a thing.
    
Soon I’ll put on my parka, step out into the shuddering rain and head up to the Post Office to collect my recent purchase: Mary Coughlan’s Under The Influence. We can’t recapture what was beautiful about the past, but we can let it call out to us again.
      
I am glad that when the phone call came, I was singing.

The Coming of December

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It’s almost November. Soon the season will turn to grief, as it does every year. This year it will be more so. December used to be the one winter month I actually liked, now it's diseased with bad memories – fluttering snow, a chilled top deck of a Greenwich bus, that phone call. And for all I’ve achieved this year despite ill health, despite the hard times, I regret my failure to deal with what happened last December, with the loss that was not my loss; that belonged to someone else I love deeply. Because of this, I never worked out quite how to get over it myself.
     
A hot bath can work wonders: it is immersion, solace; a bone-soother. Tonight I emerged from the water revived, but sad, and desperate for a cuddle. I dried myself and came to this portable computer, to these awkward, tiny keys, not knowing what to say, as has become usual these last weeks. I feel apart from the world. I have no peace, love and understanding with which to package up its evils into pretty, bowed, gift sized pieces. Years ago, I had ideals. Now, the bodies pile up. 
     
I loved the snowfall last December, even during the funeral - it cast a white dream over everything. Yes, I tell myself it could all have been a dream. But I remember the blossom tree from the morgue toilet window - flakes falling in front of it like television static. Footprints covered over as soon as they were made.

The Flight

I had three ideas I was sure would work. First, I could barricade her into my flat. Second, I could barricade her out of my flat. Third, I could hide her Green Card. Once I realised that I'd not quite got the heart or the neurosis to put any of these plans into practice, I knew I'd have to resort to other tactics.

     
Jo was of course leaving for Seattle in the early hours of this morning, after five weeks in England, and the last eight nights staying in my flat. The bestest friend I could ever hope to have - after eleven years of love passing between us, five years of living together. I can't remember a single row we've had in that time, or a time I didn't trust her implicitly. My family, my sister, my confidante, my spiritual ally. And she was sodding off back to Seattle forever.

     
I decided "I shall be a rock, impervious to all emotion." I certainly wasn't going to be reduced to a blubbering mess. We had only one hour left before bedtime so my plan didn't seem too ambitious. I ensured that my Itunes played no music with an acoustic guitar in it or worse, a harp. Then I sat like a wooden post at the end of my sofa, pondering whether to just put on Eastenders and pretend she wasn't there. I even considered informing her that I couldn't get upset for health reasons. Since my recent discovery of two frown lines on my forehead, any kind of emotional stimulus that worsened them would be quite out of the question.

     
Then she cuddled me. The cow. We squawked like two chicks in a nest, tears flying out from our eyes and landing on each other. Tissues streamed between us like great, soggy clouds. I knew it was too late to lock her in my cupboard. Jo, my loveliest of all Jos, was flying the coop.

     
She left at 4.30 am, as I hunched in my bed feeling a strange ache in my chest. I pulled up the duvet as she scuttled round in the hallway outside my door, collecting up her things. Then I flung it open and we hugged, my eyes stuck together with tiredness, my hair no doubt standing on end.

     
Now there's a Jo-shaped hole in my living-room, but I'm imagining her winging her way across the ocean as I write this, towards her new life. It's a beautiful image. And I got a chance to say goodbye this time, to wave her off, to wish her well, and hear her close the door behind her.

     
Never underestimate the preciousness of true friendship. It's like family - it runs in the blood, it is a tract that crosses all land and sea, returning home, again and again, no matter the miles.

A couple of nights ago we watched Lars and the Real Girl. They played this Talking Heads song in it, and it's one of my favourites. So this is for Jo. It's nicely weird, especially towards the end.

Bank Holiday

Twenty to midnight. This is the last thing I should be doing. But I'm here, at this screen, fingers fumbling over buttons.

So this is the crux - I find myself at that place, the place of no return, where I am scattered to the wind a thousand times over, waiting for the pieces to blow back into a self again. I tried to hold it, and I couldn't. I tried to keep it in a shape that still looked pleasing to the eye, that could bathe my ears in a comforting sound. But it broke out, and now we're all running.

Looking at it another way - it's a late night, after a hard weekend, following a tough break-up and too much alcohol. Hardly surprising if my heart's on the floor (better sweep it up with tomorrow's litter). Another day blinks at me, and we all find a way through.

In a week it'll be two years since Mum's final stroke, two years that she's been lying staring out of that goddamn window, without a thing we can do about it. Two years since I last heard her utter a word, or since she looked at me and I could say "Mum, I love you" and know that she hears me. Two fucking years. So I'm parentless, childless, a plastic duck bobbing on top of the bathwater.

It's also, unbelievably, almost six months since David died. I can't really think about him, but the loss works on me in inexplicable ways, twisting my life in its hands.

Today I walked with friends through caverns of green, emerging into sunlight, down lanes, unwinding, winding. A sip of pale ale, a search for cream tea, heat and damp, rain and warm. England at its most omniscient, its most lordly; giving of itself; springing into skylarks, whooping over hedgerows. Breaking out the wheat fields into dappled joy.

I know the grace that surrounds me, the friends who love me, friends I could not do without. So I sit and I listen, watch summer run its course, feel it lean in and whisper. And everywhere buttercups offer themselves up to us, as they tear across Sussex meadows.

And I remember, how two years ago, I stood on the bank of a Hawarden stream, gathering posies under the hazy blue sky. I made buttercups into a shiny yellow fist, took them to the hospital. Behind white curtains, under the rhythmic pulse of the ventilator tube, I placed them in a vase for my mother. They were the yellowest things I had ever seen.

My sisters and I gathered around, clucking and fussing. And if she ever opened her eyes and looked our way, we smiled. I might have shown the buttercups to her, placed them under her chin till they glowed. But she was a closed, quiet flower, petals sleeping - a perfect stalk, returning underground.

Almeria

I'm off to Andalucia tonight. Thanks to the clocks going forward, looks like I'm not going to sleep at all tonight as the bus to the airport effectively leaves at 2.15am. Packing a bag and taking off always leaves me in a queer state of excitement, nerves and restlessness, liberated at leaving everything behind. It feels bit like breaking up with someone - in between all the grimness, I see this chink of light opening where the world is again - big and exhilarating.

Andalucia is the place of lovers and break-ups, leavings and beginnings, loss. I first went to Andalucia five years ago with my then long-term lover; on the following trip I walked its streets alone, trying to get over him. On the next trip I broke up with someone just hours before I left for a plane to Almeria, and then fell in love inside a bullring in that same city.

I've rattled precariously up mountains in a bus, someone else's head on my shoulder, fallen cars strewn below me on the way. I've felt the sun on my skin for the first time after a long winter and got drunk on honeyrum in Granada. I've smoked way too much wacky-baccy in a yurt in the middle of the desert. I've let myself be driven home by a pissed madman blaring out Smoke On The Water at ear-piercing volume on the stereo. I've watched mock cowboy shoot-outs on dodgy film sets. And I've been inspired to write, following Lorca's footsteps like a besotted idiot in and out of Granada. I've made it my myth, kept it close, tried to chuck it out, but it’s always crept back inside.

Now, I'm going back, and sharing it with someone else.

I've been thinking about my friend David today. I try not to think about him most of the time. I usually only do so when I see someone pass me on the street that looks like him, and I freeze, feeling a little bit of him back alive again. Then I realise it isn't.

I got flashbacks today to the funeral - images in quick succession - flowers being tied into the wicker coffin, his wobbling father, too many brave words and something crushed in every person in that room who knew him. There were pictures on the Buddhist Centre wall - pictures of a life I never knew - him with his girlfriend, with his baby, dressed up in make-up and a bandana (he was never that frivolous when we were friends), the intimacy of his new world and all the new relatives who loved him, who never knew him as I knew him. And I never knew him as they did. I'm crushed, whenever I think of him.

It's wonderful to be leaving things behind, if only for a couple of weeks. I want to be able to look at my life from over the other side of the water. Get some perspective, get my head straight. I’ll write in my notebook, and maybe even post. We’ll see.

Monday

There are days that begin with a strange hue, that open their curtains to a light never seen before. Today began in smoky greys that crept under my eyelids like ghosts from the sea. I'd been dreaming about a ship off the coast of Morocco. I was staying on it, taking breaks from it to visit this little village on the Moroccan coast. It was always tricky getting back out to the ship, so sometimes I would stay overnight in the village.

However, one time I had to get back to the ship. The only way to do so was to sail out to it by dinghy. This was a risky thing to do. Lots of people did it, but many got lost on the way. I had a friend who had been blown all the way to Nigeria by harsh wind currents. The golden rule was this – no matter what, you had to reach the ship before nightfall, else you would be adrift without any sense of direction, heading out into the empty ocean.

It was a strange dream, full of unhelpful people and cool characters. I undertook the journey back to the ship with a friend of mine. She turned out to be rather immature and annoying, and insisted in stopping off for food in this town we had come across, even though time was precious and night wasn’t far away. I began panicking. As we left the café, I saw that our dinghy had been stolen. My friend and I walked up this road in search of a boat to borrow. As we did so, a Christian woman preaching the word of God came up to me. I waved her away, pre-occupied as I was by my dilemma. I didn't need her preaching; I didn’t need her agenda. My friend however, stopped and gave her a broken string of beads. She smiled.

Halfway up the road, I collapsed in despair, knowing we'd never get to the ship before nightfall. As I slumped against a wall, the woman caught up with us, a man joining her. They were talking about God. His legs were crippled. He said, to no one in particular "People ask how God could do such a thing as to make me lame. But look at these legs of mine - they are simply just different from yours. They have their own shape. They have their own beauty. I am grateful for legs like these."

As I felt myself waking up, I decided to stay in that village for the night, and set off for the ship again in the morning.

So this smoky morning is filled with that dream, and my own sadness. On a daily basis I convince myself that I am over things, I am on top of these losses that drift in and out of my life. But they weave their own spell; they inhabit my dreams, and are there when I wake up.

I think about Mum, weaving in and out of her own dreams. It is a peculiar kind of loss, I think, to mourn those still alive. But every loss has its own sad flavour and each bleeds into the other. I am missing my friend, David, and his death has its own mystery and shock. I am also missing what I could have had, had my life been different and I'd made different choices. I don't regret, but I do mourn.

Today isn't a heavy, foreboding kind of grey. It is light and wispy as a mouse’s fur. It fills the streets outside and the air in the sky over Brighton. It curls around the pier like a tail and disperses with the seagulls taking flight. I breathe it in and swallow, feel it welling up in my eyes. I realise that my heart is a slate, and I write my longings on it with a soft piece of chalk. I don't know how to say goodbye. If I could write that; that is what I would say.

I've got a new teapot, a lovely green and glassy Christmas present. It is sitting on my table under the window and, magically, looks like it has always been there. I have a not-so-secret belief that tea cures everything. So I dry my eyes and put the kettle on, warm the pot. This magic ritual is a supreme comfort; it is an act of love. I don't want to open my doors to anyone today. I want to hide with my teapot and my chalky heart until day passes into night. But life isn't made like that. Things press on. I must open my curtains and move.

Sunday

It has been a queer and blustery week. The wind and rain have been relentless, ferociously banging on my window, demanding to be let in. I've stolen precious moments of my days snatching at my copy of Wuthering Heights, wrapped up in the book's bleak pages while the storms raged outside, happy and content amid the ravages of Emily Bronte's violent narrative.

Then on Thursday I received some shocking news about a friend of mine. He had been taken into hospital with an infection and was in a critical condition. As the evening passed into the next day, I finally discovered the harsh truth of what had happened - from a sore shoulder all week they had discovered an abcess and the abcess had burst, then blood poisoning. He was in a bad way until Friday morning, and then I got the news on Saturday that he had died. I've been wrapped up in sadness and shock ever since, unable to make any sense of what's just happened.

I've just been standing in my hallway, in fact, looking up towards what you might call heaven, talking to my friend. But as I was standing there, I suddenly came to and realised that actually, heaven isn't up there, just above the sky, and that I was in fact simply staring right up at the leaky hole in my ceiling where a load of dirty water poured through onto my carpet during this morning's storm. I felt silly then, for trying to talk to my friend through a leaky hole in my ceiling, as though he might hear me.

This feeling of silliness has stayed with me. I really don't know where my friend has gone. All I know is that he has gone. Suddenly, shockingly, tragically. And I can't seem to help this crazy reflexive movement in my mind that keeps telling me he is just up there, either in in some white and clean realm looking down on me, or else, kind of whirling through space, making his way towards another life; revisiting the places of his last.

These feelings seem so naive; so child-like and simplisitic, as though I'm desperately trying to map out some unmappable territory, give some kind of clear and sign-posted geography to that which is utterly mind-blowing, devastating and bewildering. I want to know the way to Heaven, or that there is a course through the Bardo, because otherwise, I'm just baffled. Baffled and lost.

But the truth is, it's unlikely that he's just hovering around in the ether watching me go to the toilet and clipping my toenails, waiting for me to strike up a conversation with him. Or that he's in psychic connection with me, floating about the stars. I know I don't want to let him go; I don't want to conceive of him disappearing entirely into thin air. I want at least a trace of him. Somewhere. Keep him alive for my own heart's sake. There are moments when I can feel he is so alive, in the tissue and blood of my own heart, in this heart that beats as his does not. But then, that passes, and I am left in an empty cosmos again.

I can't reduce this life to ash and cinder though, to an equation of atoms and molecules, brain and blood cells. The rubble of life is blessed by something incomprehensible to us all. But, oh, it is all too much to try and put into words, and if I were to even try to begin to talk about God, it would be no easy answer either; it would throw up as many questions as I seek to answer.

My lovely friend had everything to live for; he was healthy, he was happy. He had a family. There was no tragedy brooding in his veins, waiting to leap. He was clever, and he was my age. I was going to go up North and stay with him soon, rekindle the warm embers of our relationship, now that we are older, now that our lives have changed in so many ways, and yet still with all those same characteristics and the same relationship as when we first met, almost ten years ago. He was there in my life in some of the most significant times in my life, and some of my most difficult, as I think, I was in his.

Following the last time I saw him, several weeks ago, I believed he was coming back into my life again, after a break of three years. The storyline in my head said we'd soon be back, continuing the next phase of our friendship, and I was fascinated to see what might unfurl. If I did move up North, he'd be there again, in the middle of another massively significant life-change for me. But he's gone now, absolutely gone, without a trace, utterly removed from this world and from my life forever; the story-line has been ripped from me and try and try as I might, I don't understand how.

So I'm going to carry on talking to David through the hole in my ceiling. Maybe he hears me, maybe he doesn't. Maybe he's there, maybe he isn't. But I'll keep talking and I'll keep him in my dreams and in my prayers, in my meditation and in my writing. In my footstep on the pavement. In the letters that he sent me. In the memory of him on the beach with his daughter, flushed and happier than I've ever seen him. He is ever present, in this way. But once my door is closed and the lights are down, my own sadness reveals the truth of his absence, and from that, there is no escaping.

...

I wake up, stretch. I make tea, cross the room, I move back again. Turn on the computer, turn it off again, shut the door behind me, check it's closed tight. Down the stairs, out on the street, through the rain, passing windows with the lamps just coming on in them, past windows with sticky signs in them selling flights to New York, Paris and the Costa Brava. I am happy. I'm on the move. There is a safety in my step. I buy a scarf. I scour the wet streets for the reflection of shop lights. There's a warm fuzzy feeling inside me. I walk home.

But back inside, a familiar feeling, one which usually comes only during the night, when I and the world are fast asleep. It came last night; I awoke abruptly and stumbled, half-asleep to the bathroom. Night-time is when another me emerges from deep inside, a me I don't recognise. A time for blackness to come running, for a cold clammy fog to swallow up what is not yet left of the daylight. Blocking up my throat, swelling my chest, nothing to be seen. My eyelids droop to the pillow exhausted. I become an invisible ghost, meandering through this room, that room, finding every single one of them empty.

These night tremors, night terrors, which boil me in my own fear, disappear with the morning. I'm left with no memory but the feeling of death on my lips. But was it the man I spotted lurking outside my changing room today, unconvincing as he examined the ties, or the charity shop assistant who looked at me and said "A five pound note? For a 50p scarf?" that chased my heart back down that black road that goes from golden to ash; morning turning into an endless vacancy of stars? I am left quite alone then in the mechanics of my life, oiling the cogs, keeping it moving, mending and re-structuring, whilst the pit opening up in my stomach tells me that this destination is to nowhere, no place to finally rest except the grave, where loss is the only thing I can be certain will never leave. I see Mum's hand, inert on the white sheet. I see my father, turned away. I see three little girls, running.

I realised yesterday, as I discovered a tear welling up in my eye whilst I watched a James Blunt video, that I must be pre-mentstrual. There is no other reasonable explanation for such shocking behaviour. Even so, today I put down my pen, curled up on my bed and let myself fall into the absence, into all the things I wish I had in my life, that I will never have, that are gone, non-returnable, no deposit, finished, done with, ended, vanished. And always at the bottom of it, is my Mum's hand, the softest hand in the world. Once it stroked my hair. Now I stroke it in my mind, kiss it lightly and pray for its warmth to stay with me for just a little while longer.

My life is ok. I can't complain. But when a mood such as this takes hold, there's only a bullet or a hatchet that could feel more sharp and more deadly. Outside, it is raining again, as it has been for days, people strapped into their houses as the water pelts down the streets. I am glad for security. I do not feel guilty for wanting what's safe. No, actually, that's far from true. I am perhaps the greatest devotee of the God of Loss. A true believer. But blackness inevitably passes, leaving only a trace of its scent; a cool, musky, damp scent of freshly turned earth.

Two Left Feet

Tonight I think I need to confess how I'm feeling. Well, I probably don't need to, but I want to; so forgive me for using you as a kind of therapist's couch this evening. For I am confessing to being a mess.

In fact, it was last night when I realised what a mess I was, as I struggled out into town to band rehearsal, full of some strange flu-like illness, and sat wobbling on a high black stool listening to piano keys clunking and red wine being supped. I felt tears pricking my eyes and a familiar welling up inside. Shit. The penny dropped. I am all over the place.

Then something else happened. Something that rarely happens to me. Instead of feeling upset, anxious, fearful, confused and stupid about feeling a mess, I suddenly was overcome by a feeling of alrightness. Absolute alrightness. And I liked it.

I'm one confused human being at the moment. I wonder if this is why, when I am falling asleep last thing at night, my heart keeps doing little pirouettes in my chest and why my dreams are filled with psychopaths. Why I keep having to trim my hair just that tiny bit shorter. Why one day I wear low-cut tops and the next I find myself in high collared shirts. Why I reel from reading the biography of a saint to writing songs about strange animals to compulsively watching a tv show where women are dressed as men and strap-ons are as commonplace as the next soya-decaf-frappucino. All this might not sound too significant, perhaps a bit drama queeny, if you don't know me that well. Or maybe even if you do. But who I am doesn't add up anymore. It doesn't add up.

Tonight I feel less welcoming of this fact. I feel disarmed by myself. I'm also aware of the fact that I'm going to be back in Wales in a couple of weeks, and I know, deep down, I'm really frightened because it brings the mess of me right back into sharp relief. It brings back how confusing life is, and how hard it is living under the shadow of Mum's state; knowing how I've been blocking it out these last months, because if I didn't block it out, I would have become a mess, and I don't want to be a mess, I want to be ok.

So the mess has to cope with only getting little outings, little forays into the world of Clare. And the rest of the time, it is strictly relegated to the world of dreams.

As usual, there is a good side to this. Whether I let it in or not, the devastation of Mum's condition is working on me night and day. And the price I may pay in sorrow for this, is reaped back through all the cracks that grief shows up in my life. It prises the cracks apart so I can look inside and see what truly makes me tick.

I thought I liked it better when I supposed I knew what made me tick, even if it felt constricting and suffocating, like a silk stocking tight around my throat. Now, I don't quite know what to do with all this air. Or what this feeling is in my lungs. I know too well the sting of life. And how things can fester. But this breath inside me, well, it's equally as terrifying. Such a grave responsibility it is: stepping into one own shoes.

These days, I am finding it increasingly hard to look at photographs of my Mum. I glance over them quickly, unable to allow myself to make the connection between who I see in the picture and the image I hold of her in my head. In so many more recent photos, she is sitting in the front room, tv on, her hair scraped back into a pony tail. She is smiling self-consciously. But the image in my head is of a moment caught forever in silence and stillness. It is a running video, but nothing is moving; it is a song without sound, a touch I can feel, but I don't know where the hand has gone.

The woman in the picture has gone and I don't understand what is left of her. I think of Sleeping Beauty with her rosy cheeks, ivory skin, eyes closed, spellbound to perpetual coma. I see only a haze of white - white sheets, white pillows, the white of her eye, white nightdress with a satin ribbon at the neck. I want to immerse myself in snowdrops. I want to course the ice floes, stretch myself out on a glacier, breathe it in deep. I want only cloud and a sun behind it that never sets. I want to be pale as a baby wrapped in its first blanket.

From the whiteness, red creeps in. Blood circles in my hands and arms, and begs these legs of mine to run. Run to the equator, to where time zones collide, imprint a map of the world upon my skull, forage amongst the insects and the beetles for a taste of life itself, curse the sky and ride a westward thunder, laughing. Blood follows me wherever I go. I cannot evaporate into ether, nor disappear into silence. Blood keeps me feeling, remembering I am flesh and bone, skin and longing. Angels inhabit my tender places, they haunt my dreams with their whiteness and their singing, but it's the bloody hand that keeps me here, that keeps me in the running.

I won't lie frozen for an eternity until I am kissed by a prince with black hair and a sword. But I will watch my mother, in her own world now, in a world of whiteness far beyond my reaches. And there will never come a day when I won't crave her touch again, to see the redness in her cheeks, for her lips to come back to life and speak. Blood still runs through her, though it is silent. She stares out of the window, at what, I can't know. It is then that the snows fall on me again, as I remember the belly I came from, the mess and spill that fell out with me, the cord that kept me attached until it was cut, my first cry into her breast and the red fist I raised at the world as I realised, in utter joy and horror, that I was alive.

I have not forgotten...

I have not forgotten the breeze in the branches of the tree outside my bedroom window, and how, during those long mornings, it kept me going. I have not forgotten the way your hair sits on the pillow, braided like a seven-year-old girl's, the sweetest sight I could ever lay my eyes upon.
     Nor have I forgotten the way you leaned in to feel me near you, when I kissed you, when I wasn't even sure if you remembered my name anymore, or who I was to you.
I have not forgotten the trips to the supermarket after the hospital, how I cowered in the drinks aisle, behind the diet cola, nor the feeling of something I could barely articulate between us three sisters, feeling so alone in the world without our mother, fussing round your bed like the oldest of souls together, the best of friends, the tiniest of children . We love you; that's as clear as the first morning of June, we love every hair on your head, and brush it with all the tenderness our shaking hearts have within them.
    I see your toes in their special white socks, poking out of the bottom of the white bed sheet. It cripples me with love just to look at them. I see your mouth, encased in plastic, and this is the part I find hard to talk about.
     I see a loss so big it will never be replaced, by wind or water or earth slide or rain storm. And you are in me with everything I do, you never go away, but also you are somewhere else. And how can that be - that you are always here and yet so far into another place I cannot reach? Here, gone, here, gone, here...awake but asleep, living, breathing, dying, seeing into my eyes, looking away, travelling, sailing, floating, shivering along another shore, a foreign land, in a language I cannot speak.
     I have not forgotten how you brought me up, how you taught me to spell, how you always nudged me to look up at the sky, to see those red and violet sunsets, to watch for the blue of the morning. How you are my only mother, how I was born out of you, how I stretch way beyond you into vastness and my own mystery, but always return, a cub to her mother bear, a fox to its hole, a bee to her hive that always was the source of honey and creation. Home. It is so far away now, and yet I carry it between my breasts, under my vest, in this heart here, and in everything I do, everything I want to do and will become, as the last light of this day ebbs into a filament of dust.
     Here are your daisies, your buttercups; the box of flowers you planted and that are still growing. They are all for you, and their colour will keep the night alive in your absence. For today you are sleeping, as you have never slept before, and when you awake, I will be there.

Out Of The Fire, Into The Fire

Tonight, I am sad, and it seems that I'm not the only one. My shoulders are creaking with a tension that has remained undetected, but building up over the last month or so. It hurts to stretch, my tendons giving themselves up like wounded serpents uncurling, my heart is too tender.

I am off to Wales tomorrow morning, to see my Mum and my sister. My Mum is coming out of respite care tomorrow, where she has been for two weeks whilst some exciting renovations have been done on the house. So now my Mum will have her own specially adapted bathroom, so she doesn't have to go to the day centre for a bath or to get her hair washed. And her bedroom is bigger as well. So I am going to help my sister clean and put back all of Mum's bits and bobs, and make it all new and nice and homely for her.

I always have a lump in my throat and a tension in my heart when I know I am about to embark on a trip home. The last time, at Christmas was so terrible, I feel I'm only just about getting over it now. But without the strain of Christmas festivities and the brief return of my absent father, I am hoping for a much calmer time.
I shall be endeavouring to blog whilst I am there, now I am in ownership of a new swanky mobile phone with pen, keyboard and just about everything but the kitchen sink on there. It's just figuring the damn thing out, that'll be the interesting bit.

Yes, tonight I am sad, inconsolably so. The kind of sad that makes me wish I was a dog, so I could sit on someone's kitchen step whining mournfully at the moon. So someone would throw me a bone. But I'm not, and they aren't, and so in the morning, I'll finish packing my red Habitat trolley with partly clean, partly dirty washing, run through twenty to-do lists in my head simultaneously, make the train with just enough time to spare, and go back to the place of so much memory, so much loss, so much..muchness. And I'll become another Clare, I will be born again into a different world, one I feel so comfortable in, and one that is so alien.
So, see you at the other side, when England is but a mist following the back end of a train carriage, Brighton, a haze I left behind.