I've cut my hair again. Happily (and somewhat unusually) for me, I am experiencing absolutely no post-haircut regret. In fact tonight I'm loving it and am, as a result, rather smug.

I'm also thinking again about what is going on underneath all this compulsive haircutting. I seem to be trimming and pruning almost weekly, my hairdo creeping shorter and shorter, its style wavering about, curling and creeping behind my ears, seeking its shape. With each snip of my scissors, I feel like I'm desperately trying to match how I look on the outside with how I feel on the inside.

My appearance has always been massively significant in my world. I have hidden behind femininity and then I have slung it out in fury. I have utilised its powers and I have been crippled by its limitations. I have blundered around confused as to what this thing called womanhood even is. My clothes and hair have always played a vital part in that, from a childhood of boys' clothes and loathsome haircuts to long hair and a precocious, feminine sexuality at thirteen, when I was a loner indie-kid in my uniform of biker boots, black eyeliner and short skirts. By 15, I was a raver, popping pills and returning happily to baggy trainers and jeans and sexless Mambo T-shirts.

I don't think I really felt remotely female until my early twenties. I think I could pretend like I was one, and there was some sort of inkling in that direction, but on the inside, it just didn't match up. I would scour the magazines for pretty girls who felt like a different species from me.

Also, I realise I can also actually recount the entire last ten years purely in terms of what shade of colour I was obsessed with at the time. At 23, I discovered Buddhism, festivals, hippies, meditation, chakras and Reiki. I moved to Brighton where the sun always seemed to be shining and felt like I had escaped from a lifeless, colourless, dowdy, grey cell. During this period I became obsessed with turquoise, silver and baby pink. I painted my entire bedroom bright turquoise and hung glitter balls from every part of the ceiling that reflected the sunlight a thousand times over. I made a large silvery glitterball shrine devoted to Vajrasattva, the Buddha of purification. He was my discoball Buddha. I wore little baby pink jumpers and sparkly blue dresses and I painted my nails silver. Sounds foul, I know, but I still think it was kind of kookily cool. I revelled in cosmic-girly chic, young and vibrant and a world away from how I'd felt for the previous 7 years, which was old; old and grey as the fucking mountains.



Then I started to get a bit of a feeling for some inner sexual power and my real passions and desires. I got into Mary Magdalene and Rilke and Patti Smith and became obsessed with dark purple. My bedroom became a dimly lit shrine with an abundance of Evolution shop netting, Edward Munch pictures and dyed blue roses. My next room was similar, but this time with little sculpture shrines of broken glass around it, a Garcia Lorca poem handwritten around the top of its walls and a huge purple swirling vortex I'd painted on one wall, six feet high. Then I broke up with my boyfriend and painted over the whole goddamn room in coconut and duck egg blue; light, grounded and non-intense colours. I got rid of the broken glass and the Lorca poem with the painful relationship. I was done with intensity.

When I moved into my present flat, the decor and all my clothes went green, right down to my purse. I became a lady, with a wide brimmed hat and a flat full of birdcages and spotty scarves and flowery teacups. I wore polka-dot flamenco skirts and neckties and my boobs even grew, so for the first time in my life I had a cleavage to show off. I liked my new life as a lady. It was kitsch and camp and over-the-top feminine. It suited my newfound curves and womanly figure. I dressed up in frills for festivals with my friend and we sold chocolate energy balls and gave out free spankings to the highest bidder.

I have a certain fondness for retro chic. The Twenties, Thirties, Forties, Fifties, Sixties, Seventies, I love them all (though I'm still not sure about the Eighties). I find it hard being a modern girl. And at present, I am finding it hard being a girl at all. I have largely eschewed the frocks and skirts, the busty tops. My flat is still a haven for birdcages, Venetian masks and flowery teacups, but the flamenco dresses are firmly at the back of the clothes rail. I've taken to wearing more boyish clothes, comfy jeans, shirts, caps, jackets and sometimes, even ties. I feel stronger somehow in these clothes, and less in need of something, even if I'm not sure what that something is. And I have cut my hair off for the first time in my life.

During a lot of this year, I felt like I just wanted to look and feel boyish. I felt constrained by my hips and my curves as much as I felt constrained by my still insistently alive desire for affirmation from men. I wanted to be free from all of it, perhaps a skinny, boob-less boy-girl. Perhaps I wanted to be free from gender altogether, from sexuality, so I didn't have to work out what it all meant and why it was felt complex. On the one hand I began to renew my interest in gender politics and on the other, I was falling for poetic images in Christianity and saints such as St Francis of Assisi.

Although to some people it may seem like a deep contradiction, to me it feels like maybe it was no coincidence that, as I started going to local Queer events where cross-dressing, sexual ambiguity and androgyny are the norm, I also began going to church and following the trail of saints such as St Clare, who defied religious convention by sneaking out of church down a secret passageway to join St Francis and others in a new, radical way of life, as she experienced a holy conversion. In the dark of that night they helped her cut off all her beautiful hair.

There are now days when I wake up and I want to look feminine and definably a woman. It feels good. So when I stood in front of my bathroom mirror tonight inspecting my new self-administered haircut, I suddenly realised why I liked it so much. There was, at last, the start of a synthesis. It was that same synthesis I've been seeking inside myself these last months.

It is a synthesis of different sides of myself, where one does not have to reject the other for its own survival. Where I can feel masculine and feminine, boy and girl, woman and man and all the shades in between; where those words mean everything and mean nothing at the same time. Where my desire is my own, and not something reflected back to me through the half-light of another's desire for me. Where my sexuality is not what my identity hinges on, and men (and women) do not hold the keys to my self-worth. Where I am hard and soft, potent and yielding, receptive and active. It's a place of the hunter and the hunted, the chaser and the chased (chaste), the doer and the doing, the done; the giver, the taker and the giving itself.

When I strip back the layers of conditioning, take off the years of habitual behaviour, the naked sight underneath is a disconcerting one.

The lady and her polka-dot skirts have left the building. There's a strange boy in her place, with very feminine charms and a gentle touch. She is soft as ever, but with a wilful eye. She is the figure in a photo, me at ten years old, pale blue jumper, jeans and Clarks brown shoes.

Last year my mother suffered a massive stroke that left her brain-damaged and unable to speak, eat or move. The strange thing is that I now find that I have almost the same haircut as when I was ten; just as my mother weaves her slow and painful way out of this world. I cut my first fringe earlier this year as she lay looking the other way, out of the window, in a half-trance. Her words, spoken to me regularly from the age of thirteen, have lain dormant in my mind until tonight, yet they were words that always kept me away from the scissors ...Don't ever cut your hair, never cut a fringe, always keep your hair long; such beautiful hair...

Whatever it is I've lost in that beautiful hair as I chop and I snip, is worth it for what I gain, simply from its absence. It's been a lifetime of seeking myself, losing myself, creating identities and shedding skins. The clock ticks, the sea of life surges on, personality unravels to reveal itself in more brilliant colours than ever. The final bed is made; the sheet turned over. The mirror reflects the light shining on it. A bird takes its final breath. I am alone. The bathroom is empty except for one reflection; a face looking back at me. It is nothing I have ever seen before.

Where have all the libertines Gone..?

There are times, like tonight, when I do not smile upon my physical form, I do not take comfort from my shape and my softness. It took me a good ten years of being on this planet before I could even get my head around being a girl at all, and even then it felt like a strange act to put on in so many ways.

And yet, I remember staring at myself in a mirror whilst on summer holiday one year, at my cropped hair, my thick boy's shirt, my gangly shoes. And I took a straw hat from a stand and put it on my head, cocked it to one side and narrowed my eyes the way I had seen those stars of American Seventies films do when they were being meaningful and sexy. I wanted to look like a film star, I wanted to pout and to seduce the way they did, and from that time on, I would sit in the back of our family car whilst my Mum stared ahead driving, looking out of the car window in a dreamy, deep, dramatic way, my eyes again narrowing in film star pose, as I imagined a secret camera filming me rolling through the streets of Hawarden, up Bennett's Lane, under the bridge where I would hold my breath for good luck, past the nuns playing their recorders in the Convent garden and up our long drive that led to home. In those moments I was all of Charlie's Angels. I was Daisy Duke. I was Wonder Woman.

But I never could imagine becoming Wonder Woman in reality, with her dynamic basque and erotic hotpants, her large, powerful breasts, her lassoo. Instead, I felt more inherently like I was Dangermouse. Or perhaps a kind of hybrid of Carry On characters (my favourite films growing up)- a bit of Charles Hawtrey crossed with Hattie Jacques, a liberal dose of Kenneth Williams morphing into the cackle of Sid james. So on the inside I felt more like these, but at the same time desperately wanted to be Wonder Woman, or better, one of those dancers in the Kenny Everett Show, Hot Gossip, who wore very little, and whom my mother would try and ban us from watching whenever the programme came on.

Maybe I still felt more like Dangermouse when I finally lost my virginity at sixteen. I would wear basques and frilly black knickers and stockings, because that was what I thought was meant to be sexy, what my boyfriend thought was meant to be sexy. But I always felt too flat chested, too girlish to pull off seduction, not yet in either my body or my sexual power to get anywhere close to understanding what all this meant. And it took me years to realise that what was meant to be sexy would never be sexy as long as it stayed in the realm of what was 'the done thing'. 'The done thing', largely, in my experience of the world of sex throughout my teens and early twenties (despite trying to pass itself off as wildness and experimentaton), seemed largely to consist of disembodied people (myself included), committing disembodied acts with each other, being shown disembodied sexuality in film and magazines (meant to be a turn on), whilst living in a largely disembodied bigger sexual culture.

And of course, in a culture like this, in a mind set like this, nothing is really sexy. And I thought it was me, that there was somehing wrong with me. Or with my partner perhaps. But I realise now that it was nothing more than a symptom of being young and inexperienced in a culture where we read Page Three with our cuppa, where pornography = the death of the Imagination on all levels, and women are brought up to believe that lacy thongs from Knickerbox are what makes her a desirable woman.

I no longer feel like Dangermouse. Though in fact, I wouldn't be too disturbed if I found myself feeling like that in a moment of arousal, who knows, it could be quite sexy. But I do find sex as it is presented in our culture, possibly one of it's most tedious and banal shortcomings. Sexual consumption and artifice seem to be what is peddled daily by our media and sex industry. Perversion and kinkiness yawn at us from every street corner (and that's just the billboards). Jesus, hasn't anyone cottoned on yet that the breaking of sexual taboos has become just the latest form of conformity? That every man, woman, transgendered person and their dog has probably done fetishism in some form, no matter how slight, and it doesn't need to be rammed down our throats (excuse the turn of phrase) at every opportunity in order to sell a new perfume, promote the latest facile pop act, sell a few more million newsapers that aren't, in reality, fit for us to wipe our bums on.

I digress. I want a new sexual thrill. An extremity no one has ever dared to peek inside before. And I'm not talking nailing my nipples to a wooden post, or hanging by my toenails from the chest of Pamela Anderson. Jesus, my life is filled enough of that stuff anyway in the real world, never mind in a fantasy one (metaphorically speaking, of course). No, this thrill would come from the society around me. Just give me something pulsing with aliveness, something articulate and meaningful and born of the stuff that life, growth, decay and death are made of. Just spare me the alienation and manipulation and exploitation, the dead dog that tries to pass itself off as sexual consciousness in our society. Then I might just get a thrill, I might just feel even a flicker of interest in what our culture wants me to get turned on about. And this is not some feminist plea, god save me from that. It is simply a desperate, fed up call, away from the superficiality and crippling blandness of mass sexual consumerism, towards life force, imagination and, dare I say it, soul. Whether that soul is as clear as the sun up in the bluest of skies, or whether it is a blackened, twisted thing of many contours and many lonely lanes. Whether it is made of perspex or rubber or tin. Whether it is a violence of sound, or makes the tiniest whisper in the morning. Perversion and fetishism was always a means of contacting the deeper, darker, powerful forces of life and death, of subverting tired norms. It saddens me that now it just seems like any other episode of Hollyoaks.

I can fill a bra and pair of stockings these days. I might even look pretty good in those gold hotpants. But that doesn't really do it much for me tonight. Tonight I feel more like an 18th century boy, hat in hand, my shirt open to my belly button, the material of my trousers caressing my slim hips, my toes pale and dirty. And I'm looking for a house where I can take myself and my longings, and it's not in this country, it's not in this century and it's not here.


N.B. any cheap, stupid or obscene comments made on this post will be immediately deleted unless of course they are made by my boyfriend.

Every Time You Go Away

Tonight I watched Celebrity Masterchef. Marie Helvin, the model, some guy that I think may have been in the pop band Imagination and, love of my life at age 10, the one and only, Paul Young, all competing to come up with the perfect culinary dish to win the title of this BBC2 cooking competition.

Jesus, it was strange seeing him. I used to actually keep a notebook to record my obsession with Paul Young, making a note of each new poster that I bought, which eventually covered the entire walls of my bedroom, (except for an increasing number of Aha ones, but I don't talk about that little betrayal). I even had a life size one which I got in installments through Smash Hits - one week his feet, the next his legs and groin etc. I firmly believed I was going to marry him and was devastated when he got together later with Supergirl actress Helen Slater. The cow. I even had a Paul Young scarf, with a very distorted picture of his face on it, as well as his pretend signature which I ordered through his fan club, of which I was, of course, a member.

The only other club I remember joining through the postal service when I was young was the Desperate Dan Club. I'm not quite sure where my fascination for Desperate Dan arose from, as it wasn't exactly a popular girl's thing to be into. I remember getting all the stuff through the post, and how excited I was to open it. There was this picture of him on the front of the Membership Card with a big bristly chin, about to tuck into a Cow Pie. As I opened the pack, I was confronted by a test that said unless you can answer these three questions, you cannot join. You are not a true Desperate Dan fan as you are not tough enough. It was three jokes, of which you had to guess the punchlines. Easy probably. But I didn't get one of them, and I remember the shame, the utter humiliation of the fact that I had this stupid membership pack, which I'd been so excited to receive, and yet I had just exposed myself to the fact that I wasn't worthy to join it because I wasn't tough enough. Ok, no body else knew, but I knew, I knew I wasn't up to the job. I remember thinking it's because I'm not a real boy - now they've found me out. I slung the membership pack into the back of my sock drawer, hoping it wouldn't be discovered by my Mum or any other potential Askers of Difficult Questions, who might realise the truth that I was trying to infiltrate some secret boyhood that I could never truly belong to.

I never wore dresses growing up, except on the odd occasion, and they were still somehow ungirlish and unflattering, with frills or flaps on them too large that they engulfed my entire chest. Me and both my other sisters all had our hair cropped short, a trio of little pseudo boys, until I finally protested against being constantly mistaken for a 'sonny' and decided to grow my hair long. That was when I was ten, and I have never worn it short since, some kind of life long compensation for feeling for so long like I'd been born into the wrong body.

I didn't look like other girls, and I was sure as hell at the time that I didn't feel like other girls. I did like playing with my Sindy dolls, but my favourite game used to be 'let's tie Sindy up and pretend a train is coming to drive over her'. That was one of my favourite film themes as I was growing up - the silent movie 1920's starlet tied to the train tracks whilst the black caped baddie chuckles on the sidelines rubbing his hands in glee, and the train hurtles towards her whilst the hero grapples dotingly with her ropes. I think I wanted to be that curly haired girl, dressed in some flimsy negligee, squealing silently and struggling in black and white as the piano tinkled on and on in the background. I think I also wanted to be the baddie in the cape, and the dashing hero as well. How kinky.

So yes, I did like playing with dolls, but that was about it as far as my girlishness went. I was strikingly tall for my age, and very strong, not delicate at all. I remember playing kiss chase in the little school when I was six or seven and finding it a highly erotic experience, but whenever a boy caught me, I would punch him in the chest and run off shouting "NO!". I hated those namby pamby girls that would just relent and giggle and toss their pigtails in the air. The boys loved them. I never wore pretty shoes, and the boys never fell in love with me.

My two best friends at that age were Jamie Pope and John Stewart. John Stewart was the Pete Doherty of Sandford House School, the bad boy amongst a classroom of seven year olds. God he was sexy. He used to swear and use words like 'shit' and I was terribly impressed, amongst this bunch of mainly drab and dreary girlies and boys. My favourite lunchtimes were when him and Jamie said I could join in with their games (no other girls were allowed the same privilege), which mainly involved dragging Action Man in and out through the holes in the wire fence behind the playground bushes. God I felt cool and I loved playing with Action Man. John Stewart NEVER tucked his shirt in.

I used to have fantasies at night of staying behind at school to play alone in the shed that was in our playground. In my fantasy, John Stewart would appear, and he would tie me up in the shed. This tying up thing seems to have been a bit of a theme for me. I didn't know why the idea of being tied up by this boy was so exciting, and nothing else would happen but that, but it gave me a feeling in my body I liked a lot. At night I would pull my arms out of the sleeves of my nightie and slide them underneath it so that my hands could roam freely over my body. I didn't know why I liked this either, but I did.

John Stewart never did find me in the playground as I wanted him to, and I moved up when I was eight to the big school next door, where boys were no longer allowed. But it started to really perturb me that I didn't really feel like other girls seemed to feel, and still looked the gawky young boy in the brown round toed shoes. Little Lord Fauntleroy, my sister used to call me. In fact, she still does, when she's feeling fond.

When I was eight I also got a silver bike for my birthday. I remember being so chuffed that I had a fancy cool bike, and so disturbed when I realised it was a boy's bike. For a while boys from around the council estate across the road would come and play with me, and admire my bike and take a ride in my Police Car, which you could sit in and peddle and it was cool and it had a flashing light on the back. But they never fancied me.

In fact, the only people I remember there being any kind of fancying scenarios with, were girls. There once was this girl, who for some reason came to play round at mine one time, whom I hadn't the foggiest who she was, and for at least half of the day I thought, was in fact a boy. She was so androgynous with her short hair and jeans. I remember feeling curiously drawn to her, finally asking her outright whether she was a boy or a girl. When we sat together on my Dad's reclining chair, I still remember a strange feeling in my belly as we sat squashed together, our arms pushed up against each other.

The only other frisson was with one of my best friends at the time, whom I played with a lot. She was Indian and I would go round to her house and her Mum would dress me up in saris and I'd like it because I felt pretty and feminine for once, and her parents had a Hindu shrine in their bedroom with a picture of Ganesh in front of their mirror. I was fascinated by him with his big long elephant nose and the smell of incense that wafted around him. Sometimes we would eat curry for tea but mainly we had Findus Crispy pancakes which I adored, particularly the ones with cheese inside. Sometimes she and I would play 'peeping tom', where one of us would take our clothes off and have a shower and the other would pretend to come in by mistake and look. It seemed to always end up being me in the shower. One sunny day in my back garden, my friend confessed she was in love with me. By this point I was ten, and absolutely horrified by her confession. Sadly, in a blind panic and confusion, I stopped being friends with her that summer, denouncing her a 'lezzy'. Oh dear.

Looking back, I see that in certain ways, my life plays out now pretty much in the same ways it did then. The parallels are unnervingly striking. Perhaps the only difference is that now my hair is longer and I most definitely look like a girl, I made sure of that. And I'm not so into tying my dolls to imaginary train tracks, at least not all the time. And that sometimes, when I'm caught by a boy, I won't always punch him in the chest, but let him kiss me on the lips. But only if he kisses like John Stewart.

And ah I remember, the actual point of this meandering post, was to tell you about Paul Young. Well, my beautiful animus, my soul singing icon of sexiness who set my heart and loins a flutter with "Wherever I Lay My Hat" in 1983, he won through to the quarter finals of Celebrity Masterchef with his dish of Cajun Prawns with a basil coulis and wild rice. Despite looking somewhat haggard, he had tears twinkling in his eyes. Bless his cotton socks.