Keep Your Head Above Water

Tweet

I keep thinking this is it. I do my sad little wave, a quick bow. Goodbye, au revoir. Then I turn in my flip-flops and start my brief walk home.

    
Of course the following day I return to the water’s edge. Since autumn has arrived it happens less, but this game isn’t over. I refuse to leave the sea alone; I refuse to commit to King Alfred’s chlorine depths: the stinky changing rooms; kids’ hair in the plughole. There it's all straight blue lines, rubber-capped old ladies and the flailing arms of front crawlers. There I'm a machine cutting up water, a chugging mechanism, hidden behind goggles and cap. Nameless, sexless, meant for movement and breath, there I am the number of seconds it takes for me to touch the concrete ledge of the deep end. I disappear, no longer weighed down by the burden of being somebody. It's for this reason that I tolerate that ugly pool. 

     
Seawater magnetises, hypnotises, pulling me in to where it’s deep and slightly treacherous. Buoyant and serene, it calms my thumping heart and floats me home. Often it’s hard work (the dragging current, those endless bloody waves) but the reward is in the crashing orgasmic flood of the senses. The serotonin kick. 

     
I like swimming far out. But these days I listen to friends who say For fuck’s sake, Clare, be careful.  I chit chat with lifeguards. Check wind speeds on the Web. Never go in if waves break violently on the shingle. This summer I even surrendered my solitude and swam with others - we sped past buoys, circled the West Pier and sank back onto hard pebbles, thighs trembling.

     
The sea has a character and a culture of its own, a world apart from the hectic town I live in. This town doesn’t feel like mine, but down here is – amidst this silent, sturdy society of swimmers, surfers and fishermen. The sea’s an addiction, I know; I'm aware of the risks I run for the high I experience, for that joy peculiar only to open water – the vast expanse, the arctic chill on the toes, sun on face, an unhindered smile. I wonder who, or what, I'd be without it, what shape my life would take. No coincidence, of course, that I started sea-swimming when mum had her last stroke, the one that finally silenced her, that condemned her to unseeable depths somewhere between sky and land. Back then, swimming far out I escaped the world, escaped people, the tick tock of life; I entered her world for a while - fluid, formless and all that quiet. 

     
Sun's out. Sitting here writing I keep one ear out for the waves, and my nostrils still sniff seaweed. This could be the day. Last week the buoys disappeared – no markers now, no edges to swim out to. No yellow globe, slimy with seaweed. Just a cold abyss, a charcoal smudge beneath a cloudy skyline.
     
But I wade into a new experience every day; keep my head above water. Chance it one more time. Before friendly waves turn frosty. Before the last farewell of the season. 

Northern Lights

I read an interview with Bill Drummond the other day, in which he talks about nostalgia. He describes it as a sickness to be cut out because it tells us lies about things being once better than they are now. Forget the past; think about today. As someone who spends a lot of time writing about the past and trying to make sense of it, I’m not sure how much I agree. I certainly can romanticise it, but not because I see it as better than the present, but largely because I view it as infinitely worse. Oh, the terrible times I lived through!

There are many things I don’t want to remember. The past tugs on my arm, demanding to be recognised. I turn the other way. “Oh no, we’ve never met before”. I shrug it off. How many of us do this – hiding in the present, scared of who we once were? The past would haunt us if we let it. But we won’t. We cut out nostalgia, and with it, remembering.

I think that’s why places from my past fascinate me, and why I can’t ever quite leave them alone. Because no matter how much I may think my life has changed, there’s always a little bit of myself I leave behind, like a photo, tucked inside some old jeans pocket. I never quite know when I’m going to accidentally pull it out, and feel surprised.

The other day I posted pictures on Facebook of my recent trip up North to Yorkshire and Snowdonia. They reflected back the dark, brooding mists of my homeland, those places I love so much. I can so easily romanticise the North from my flat in young, happening Brighton, with its candy-rock Palace Pier, it's everlasting stream of clear sky. I forget the days when I couldn’t wait to get the hell away from there.





Though I studied in Manchester for five years, it’s not fun college times I largely remember. It's days spent wandering the collapsed city centre immediately following the IRA bomb explosion in 1996. Ooh, what a laugh I am. As someone standing right near where it went off, it would have killed me and probably a thousand others had the IRA not issued a warning and the police been so quick to react. I’d stare at the blackened hole, leaning into the mesh that separated me from it, wishing I could wriggle underneath and walk unfettered through the dark heart of Manchester, through the ripped out concrete shells I’d once shopped in. Royal Exchange, Corn Exchange, Arndale Centre – all Manchester landmarks and great seats of consumerism, reduced to rubble. Just as vulnerable and fragile as me. In a strange way, it made me want to laugh.

I was upset when they began to rebuild it. I wanted something of that charred, empty space to remain, to remind everyone of the terrible thing that had happened. Now, I hardly recognise Manchester anymore. The shops are bigger and better and the Corn Exchange where I used to work - a crappy flea market filled with dodgy watch-dealers and astrologers - is now a Harvey Nichols. People don’t want to walk past a reminder of a city’s grief. They want the future. They want tomorrow.

Who can blame them? The last time I was in Manchester, I looked up at the sign on the wall of The Hacienda Apartments and thought ‘I could be sad about this, but the irony is too great.’ Perhaps those who, twenty years ago waved their arms up and down on The Hacienda stage off their nuts, were the same people who now drove their BMWs into the electronically controlled Private Parking spaces under the building and, kicking off their shoes, looked out over Whitworth Street and smiled.

Is this nostalgia? Wondering what I’d have done without that nightclub, the drugs and the dungarees, the Frankie Knuckles mixtapes and the dream Ecstasy gives you at that age? Standing on the corner of my road, aged fifteen, with my sister and some lads from Blacon who made acid house music on computers, shouting “In the beginning, there was House!” at old ladies in Mini Metros. Done my homework? Actually listened in Geography class?

Dashing in from school every Friday, I’d throw off my uniform, pull on my Kickers and wait for the car that would drive my sister and I up the M56, past Helsby Hill, past Runcorn chemical plant into Manchester. As we drove into the city centre, I’d catch sight of the queue that snaked half a mile down the street, my fake ID trembling in my hand. The doors would open and that familiar thud of bass-line and dry ice would hit me. I'd sip my coke, a pill sliding down my throat. Then half an hour later I’d push my way into the thick of it; sweat, bodies, faces, smiling, a crazy rush of communion, screaming up at the DJ box, “come on!” chanting like a tribe to its leader. I was home.

Bittersweet times. Isn't that youth at it's best? At its height, I fell in love with a boy in a pink NafNaf sweatshirt, who had black hair that curled over his ears and a dog called Blackie who bit my ankle. Pretty soon, I’d left the Blacon boys to their drum machines and started instead driving to Manchester with my new dark-haired boyfriend and his mate. We’d tear up the highway in his friend’s Rhosddhu Carpets van.

One morning, after a night at the Hacienda, my new boyfriend and I wound our way through grey tenement blocks and chip papers, to where the thudding bass continued all through the night. Hulme was beautiful to me then. We pushed open the door of a squatted flat, filthy with three-week old leftovers, swarming with flies in the July heat, trying not to touch anything. Then he and I lay down on a dirty mattress and held each other and looked into each other’s eyes, sunshine already breaking through the torn sheet across the window. It was the first time I’d been touched where my desire felt like something real, not something expected. I almost lost my virginity that morning, but we stopped last minute because we didn’t have any protection. I didn’t want to end up some girl pushing a pram at fifteen. I wanted to write, be in a band; get a degree. So I cried out, his hand between my thighs “Not now! I don't want to end up like bloody Michelle Fowler off Eastenders!”

On the way back from Snowdonia last week, we drove by the village where I grew up, so I decided to pop in on my sister. A familiar feeling of love and panic hit me. Beforehand, we drove to the cemetery where Mum is buried. However, when I arrived, there was no marking post, nothing to tell me where she was. Poor Mum. I rang Flintshire County Council and wandered through the graveyard clutching my mobile until they eventually found me her plot number. I sat down, feeling angry and sad. “Sorry Mum”, I said.

The last time I went to her grave, I lay down on the grass beside her, just as I’d lain the last time I saw her alive, struggling for air through a face mask in Wrexham hospital. I’d talked and cried, rubbing my fingers in the newly turned soil. But this time, my words evaporated in the silence, until, cold and hungry, I eventually got up and left.

Under The Influence

• Tweet

I was in the upstairs spare bedroom singing along to Mary Coughlan's Under The Influence - Fifteen or Ice Cream Man, I don't remember which. It was my sister's LP, dragged from a dusty blue case beneath the dresser; slipped from its case and onto my old Rotel turntable. After twenty years, it still had hardly a scratch on it. I've been sneaking Under The Influence in and out of my sister's room since I was thirteen, back when it was a guilty pleasure - sleazy Irish ballads ill-fitting with the rest of my record collection. Coughlan's voice, to me, sounded like burnt treacle. The album must have reached a rousing chorus because when the phone rang I didn't hear it. Emma was shouting up the stairs. When I finally turned it down, walked out onto the landing, and saw her face, I knew that Mum was dead. 

     
A week after the funeral, I was back in Brighton and at work, decorating the house of an eight-and-a-half month pregnant financial adviser who, after we’d finished, stood on a chair checking each doorframe to ensure it was painted correctly. Perhaps I shouldn’t have gone back so soon. But the alternative felt worse: sitting around my flat, staring at my computer screen, listening to gulls rip up bin bags outside my living room window.

     
So I drove myself crazy at work instead. I sweated at the top of a stepladder until ten-thirty at night, listening to bad Experimental Jazz on Radio 3 or crouched in low-ceilinged bedrooms, cutting in skirting boards. I didn’t particularly want to think about Mum. I certainly didn’t want to talk to anyone else about her. I wasn’t particularly sad; in many ways I felt relieved – joyful, even. But friends told me I was vulnerable. That I needed to take care of myself. Stay grounded.
     
Staying grounded was the last thing on my mind.
     
That week, someone new came to work with us. Within a day I’d fallen in love with him. A man already in a relationship, a man with a disastrous psyche. Click-clop-thump— I ran into mess as fast as my Converse pumps could carry me.

But that’s another story. Eighteen months later that same man and I are decorating together again. Things have moved on; the affair long ended, the emotional entanglements of the previous year smoothed out into clear separate strands. It’s autumn and we’re painting a mansion in West Sussex. It’s a country idyll. During tea breaks I stroll down the path towards lush gardens and an orchard with trees hanging with apples and pears. Every so often white horses in the neighbouring field break into a gallop, tearing across damp grass under Wolstonbury Hill. We are painting the windows of a once internationally famous actress – the kind who always seemed to be semi-nude in films, and who was once declared to be ‘one of the most beautiful women in the world’. She smiles at me from her doorway, her un-manicured fingers on her hips, her heavy-lidded eyes free from make-up. Cats curl their tails about her ankles. I take heart in her crumbling beauty and in the wild lawns that surround us. There is now friendship with this man, and the pain of what happened to Mum – those salmon-coloured hospital walls, canteen tea in its polystyrene cup, the hum and beep of life support machines – has faded. I can almost forget how, before Mum died, each time I’d looked from the nursing home window a bird would be hopping about on the frozen earth, or in sunshine, as if to show me my mother’s own soul – how it could be if only it was free to go, leave; exit the building.

Two weeks later, the weather turns, the job ends and the orchard, the summerhouse, the galloping horses all get washed away by a black, pounding rain. My friendship with the man dissolves into mud, accusations hurtling through mean damp air. Again I sit alone in my flat, a little more worn and once more with time to write. I’ve heard it said that grief and sex are inextricably linked: two sides of the same sharp knife. It’s true, the summer after Mum died, I was a bird flying into a shut glass window. But after such a cruel three year period of glacial stasis, I felt finally free. And that meant I was free to fuck up my life however I chose. Because of that, I couldn’t regret a thing.
    
Soon I’ll put on my parka, step out into the shuddering rain and head up to the Post Office to collect my recent purchase: Mary Coughlan’s Under The Influence. We can’t recapture what was beautiful about the past, but we can let it call out to us again.
      
I am glad that when the phone call came, I was singing.

Navel Gazing

The younger I was, the more I investigated my body’s secrets. I explored each tiny place with curiosity: palms against soft, white skin, fingers poked in ears, bitten nails skating the dip of my throat. My body was not just familiar territory – it was my very own erratic, unkempt kingdom. Until puberty, I didn’t judge the merits or defects of the blood and bones that kept me alive, I only marvelled at its wonders. I’d sit on the stool in front of morning re-runs of Batman, peering down into the dark cavern of my nightie, breathing in its musty smells, touching the mole on my upper thigh, pulling at a new scab on my knee.

     
However, when I reached eleven or twelve, things changed. I swung from fascination to repulsion with my body, depending on my mood or what magazines I’d been reading. We were close like lovers - sometimes at peace, but often warring, confused, simmering, full of desires and woes. Still we remained allies against the outside world.

     
But as I grew older, we gradually parted company. And as others began to explore my body, I knew it less. Each nook, each tangle seemed less remarkable to me as others uncovered it. As lovers commented on its curiosities and miracles, I grew bored, forgetful. When I was nineteen, I got my belly button pierced. Perhaps that was the start of it. As seems the curse of pubescent girls, my teens had been wracked with bodily despair and an obsession with perfection – perfection that, naturally, I’d never achieve. I had longed to get a piercing since I was thirteen - as though somehow that would empower me, taking me out of teenage insecurity into something deeper, darker, more primal. Though it was years later, getting it done somehow felt like a rite of passage. In that Withington bedroom, lying there as my tattooed friend leaned over me in his black, sleeveless T-shirt, I had fainted, my belly button disappearing beneath a sheer bolt of silver. He screwed a tiny silver ball in at one end and I didn’t see my belly button again for another eighteen years.

     
When I was little I used to spend hours playing with my belly button  – an ‘innie’ - small, round and perfect, serving as a secret hiding place for toast crumbs. When the piercing fell out in the bath a couple of months ago, I decided not to feed the silver bolt back through again. Despite the unsightly scar I liked seeing my belly button. It felt ‘natural’, whatever that means, and as though I was recovering some aspect of innocence – all fresh, pink and soft.

     
It’s unnerving to think that the umbilical cord attaching me to my mother was imbedded in this unassuming tissue. And that the cord no longer exists, as she no longer exists. Yet the hole remains, and surprisingly, for the first time in a long time, I can see it. It's a full moon lighting the way back to that place from which I emerged, where I once belonged, wrapped up in wet unconsciousness, blind, unaware of my skin as separate from hers. One red flesh, pulsing together.

     
I stick in my finger, pull the sides apart, and look inside. It’s still small, round and perfect. I wiggle the finger in that black eye, a warm aperture, a relic of an eternally lost hiding place. Can that cord continue, I wonder, or has it irrevocably snapped? Could I become a mother? Inside me, an unknown beating heart, some tiny pupil into which my body pumps all that I gorged on as a child, all that was given me by my own, unseen mother?

Brunswick Festival

It's warm but blustery today, the kind of day I sit on the beach, but end up shivering. I woke at an ungodly hour this morning, to a small child patting my face and demanding Big Barn Farm videos. In the main, I’ve enjoyed waking up too early these last few weeks – it’s at these times I sometimes catch a whiff of inspiration that makes me crawl to my desk and write.

     
It's unbelievable to me that it's over four months now since Mum died. I always feel strange writing or saying 'Mum died' because that sounds so definite, so clear, so exacting. Of course it wasn't like that - pieces of her went missing every day. I'd set off searching for them with my torch and magnifying glass, but always came home empty handed. In the end, there was only a thin breath left, the warmth of her arm and a frightened look in her eye. She was a scared rabbit in the headlights of a car that never came.

     
Until four months ago. Most of the time I make myself forget. After all, amnesia is anaesthetic. But there are always moments when memory seeps through like an ugly stain beneath my newly painted wall. I searched for beauty and love in the situation, even after the end, to keep myself sane. And there it was, like one of Rilke's angels rising out of the blackness. But the ugliness, well, it's chiselled into my bones now like some kind of code, and no matter how I try to deny it, it's a part of who I am.

It shows itself in the most ordinary moments. I passed a woman in a wheelchair at the Brunswick Square Festival the other day - middle-aged, but looking much older. I noticed her limp, paralysed hand, the other making a fist around a Mr Whippy cornet. Sun scorched the grass. The woman had accidentally smeared ice cream all around her mouth and on the end of her nose. She looked like a ghoulish clown, a three year old going on a hundred. She was probably only fifty. Her weary husband pushing the wheelchair couldn't see her face.

     
All around people laughed with each other, dragging toddlers by the hand, sipping warm beer in the sunshine. The sight made me want to throw up. It made me want to cradle her husband in my arms. To lie down in front of them and ask them to run me over. Ridiculous, I know, but in flash, it was all there. Standing in that square, I was ridiculous and out of place, and so were they. For a few seconds, I loved them.

     
I think I seek out situations and people that make it okay to feel such irrational things; that will lift the skin from my body so I might run a finger along the white bones underneath. Perhaps this, for me, is consolation.

     
I'm never quite sure what I want out of life, if it's what I think I want. To be honest, right now I'd be happy just to put on this old Lou Reed record and let the words drain out of me until there are no more.

Monday: train to Brighton

I'm on the train, having just left Birmingham Moor Street, heading for London Marlebone. After several days of balmy Indian summer, I pass through a rain soaked Birmingham, drizzle sketching out its streets, a familiar greyness suspended in the ether.

I can feel my mood shifting as I edge nearer to Brighton; a heavy feeling in my arms and legs, a sinking inside my stomach. I look in my rucksack for the armour I need to face my life back home. I find hoodies and a hard-backed book about a complicated love affair.

I left my sisters on the tiny village platform, and watched them shrinking as the train drew away, their plump arms raised, faces smiling and sad. My lungs surged with feeling as I sped past houses, yellow coloured fields, more houses. This is territory I have known so well. I have chartered this journey for the last twenty years.

I'm uneasy. As I made the journey back home to Wales last week, my speech was still blurry, my experience filtered through a tin can. The preceding weeks had taken their toll. But having seen Mum for myself, stable and much as she was before this latest emergency stay in hospital, and having been home with my family, a little bit of myself has returned. There is a little bit of Clare back in place.

Uneasiness lurches up through my throat, determined as I am to not go back to where I was when I left Brighton last week - sucked in, spat out.

So I sip my tea, plan my strategies; write here. I even have biscuits in my bag. Life isn't so bad. Mum is still alive, I have sisters who are loving and brave, who fight their demons and cut my hair, make me cheese sandwiches. Who always tell me the truth about myself.

They sit chatting in the fading evening light out on our back yard, staring at the apple tree and the flowerbeds, flicking ash from their cigarettes into the cooling autumn breeze. They never sit for very long. In a flash, one of them will be up, dragging something around the garden, pulling out a hose, raising some clippers, re-arranging the shed. They like to keep busy.
It’s then that I feel most like the baby of the family that I am, with my writing, my hula hoop, my desperate need for a new haircut. Watching and feeling and thinking and turning it over, all of it, again and again.

I got my haircut. I watched the dark pieces fall to the ground and with every snip felt a little bit of myself coming back to life. I am still arriving, in whatever this new place is. I watch dead wood fall, hear the doors closing.

So I want to get my head down, start my course, let those who really care, come to me, and the rest, I'll watch them take off like birds into a cloudy sunset. Throw a stick and see what comes back to me.
Despite the Twinings label, the tea is disgusting. No amount of sugar can mask it. Drizzle hits the windowpane and I'm returning to Brighton stronger, but more wary than ever, to a town cursed by too much sunlight, by too many options.

I might feel alone, but I'm not alone; I feel scared, but I'm not weak. I have lost, but then... life culls what it needs to; it does some of our dirty work for us.

I watch crows taking off over cow fields, and feel the love of my family, the ones still there. I feel the greenness of the passing fields, my hair against my neck, a brightness still behind my eyes, and for now, that's more than enough.

Friday morning: back home

I sit up in bed on a cold autumn morning, and I can see that the sun is shining, the clouds are moving. This is the first morning in a couple of weeks that I've woken up feeling even vaguely like a human being, with a still beating heart, and perhaps even a future and a purpose. It's a feeble flicker of it, but it's there.

Mum has stabilised, at least for now. The doctors still aren't sure that it was definitely another stroke or whether it was a fit that made her lose consciousness like that and her breathing so laboured. As usual, it's a deathly mystery. And I guess that means, after preparing for the end, once again, after going through all that trauma, we're back to where we've been for the last two years. Waiting.

So when next week comes, I'll be winging my way back to Brighton. Sunny, happy Brighton. Home of the creative and free-spirited. It sticks in my throat like too-sweet candy.

I'd like to run away from Brighton, up sticks and sod off to London, where my course begins next week. But I know that won't happen, and that instead, it's the swallowing of reality of life in Brighton for now, of waiting for things to change.

I stare into my crystal ball and don't like what stares back. I remember the forces around me that are good, the ones who care. I see the tree outside my window is still standing, waving its branches at me. It is solid and still growing.

Speechless

This morning, as I inhaled a cloud of pain and breathed it out again and said No, I will change my life, I will not let the cloaks of recent events take me down, and I rang the electricity board, and I unpacked my new mini laptop and prepared for the launderette, I got a phone call. It was the phone call. The one I’ve waited for two years. Perhaps.

     
Mum has been rushed into hospital again today, this time with breathing difficulties. But she went to sleep and didn’t come out of that, and now we’re all playing the waiting game again to see if it’s another stroke, the one that’ll finally take her, if she’s finally able to swim to freedom, away from tubes and machines and the same view of squirrels and daffodils from her bedroom window.

     
Today, for the first time in my life, I lost the power of speech. I'm a good communicator. But today, my brain shut itself down, and the world span backwards, and my mouth no longer said the words I wanted to say. I slurred my way through this afternoon, this evening, a personality I no longer recognised, in a world all too familiar. That blurry world. Where walking forward feels like going backwards, where I blink an eye and am filled with terror. Where I suddenly notice the moonlit sky or the glassy sea-water and I feel like heaven is exploding right inside of me.

     
I am used to being split open. I even get accustomed to it even, and find joy in what I discover inside - the hidden jewels, the rapture of knowing what really matters in this life, behind the masks and the craving, the need and the games. I can hold it in my hands for an instant and know it’s worth everything.

     
As I cycled slow as a snail towards the Meeting Place today, I saw a little girl with her dad on Hove lawns, just learning to walk. She turned as she marched with wobbling legs away from her father, her face lit with an incredible radiance - sheer exhilaration, unadulterated joy coming into being. It's hard to accept, but true nevertheless, that what lies behind that little girl’s smile is the same as what lies behind my Mum’s closed eyelids, and what will take her, if not now, sometime soon, away from me forever.

     
What a magnificent beauty of a terror for us all to live with. It makes me want to love all the harder, dance all the more fiercely, hold what’s precious in the palm of my hand and never malign it. Then it makes me want to crawl under a bush and stay there forever. We are idiots, and that makes us all the more human. We throw away the best things in life and usually we learn the hard way.

     
I hope I'm learning. One day I will finally no longer call myself a victim. One day, maybe tomorrow, I will reach out and see all this is my making, not my breaking. And that forgiveness is always, always, already there, at every turn.

White Flowers

I went out and bought white flowers. Brought them back. Sat them on my table. I resolved: I no longer want to live in somewhere with an air of mild depression, where the carpet crinkles under my foot, constantly shedding anxiety. I said: I have built a pretty fortress, a sanctuary of steel and concrete, where I can rest away from harm, but where I am always alone.

     
These flowers make me happy. They honour the whiteness lighting up parts of my mind. They cherish the rain pounding inside me, and open like my springtime would, if only I’d let it.

     
I’ve been away from home a long time. This soup is thick and I am hungry. I'm craving sustenance, a liquid to keep me alive. My body is thinning, as my mother's thins, and will thin, one day, to nothing. That’s the day I give her back – my earth, my body, my shrine, my home. But I cannot wait until that time to start the letting go, for my own body to separate from hers, to find itself among the brambles, slightly cut, with the rain beating on it again. 

I came from her body, it is no surprise that hers became entangled in mine, or that it becomes me who is lying there in that nursing home bed, flaccid and paling into the vacuumed air. It is no surprise I don’t want to let her body go, or that I compare my own flesh to hers every day – see my arms fattening as hers do, lines appearing in my skin as hers wrinkle, my thighs plumper as hers slacken under sheets.

     
When her body transformed the first time, from healthy and normal to deadened and useless, I loved it even more. As the metal of the hoist came nearer, we let out nervous laughter, held the bar steady, trying to make sure she didn’t fall any more times than she already had. We all did things that broke us and made us bigger by the breaking.

     
But it isn’t me in a hospital bed, in a calm and shallow nursing home, waiting to die. I'm not yet 72 years old. I've not yet been a mother. I touched her body like it was a precious sculpture when I was little, when she was so beautiful. And I see no difference now - still beautiful, still wandering in her mind, inaccessible, all-giving. But the earth is taking her, and I won’t let it take me with it. My time isn’t done.

     
My body is abundant with grief. It yelps up my spine and faces me in the morning. It's a beautiful and peaceful thing, my body, when I accept it. At night, I dream I’m covered in mud, and that starlight is eating me – creeping up my toes, into my creases, nestling through my hair like sand over moon-stained beaches. Backed onto a cliff edge, I throw back my arms and laugh. I give my mother back to all that made her. My own child will survive if I learn how to look after her.

     
My friend said to me Go back to that place, back to where you felt safe. So I walked up the drive to the Poor Clare's Convent and knocked on the door. The windows streamed light through them, the benches were hard and I could hear the nuns singing for Jesus.

     
This is the place where saints surround me and I can, for once, look my mother in the face and say It’s okay, Mum, and mean it. Cause I saw another face in hers. Taking my coat back out into the world, I am not the same person as when I entered.

     
The white flowers live for all of us. They bloom, shrivel; they give off scent while they’re still living. We can make this life more beautiful. Let’s do that. Let’s make it better than it could be. Make it bloom.

The Dinghy

One of these mornings, you're going to rise up singing.

You'll spread your wings and take to the sky.Until that morning, nothing's going to harm youwith your daddy and mommy standing by...

It's eleven o'clock and my chest's tight with a series of toxins. My body is trying to rid itself of a virus that's creeping unseen through my lungs, throat, lower belly and back. I am fighting off invasion from armies that are marching up my bones.

     
It is half-way through the weekend and I'm less mournful than I could be. I'm more a balloon, floating far South on the breeze, catching sight of the needle as it pushes through my rubber. I'm sinking slowly with the sun.

      
And summer is a ghost doing its rounds. I pride myself on my skin's paleness and wear eyeliner to enhance my tiredness. Vampiric, I cower behind car fenders whenever clouds threaten to leave the sun uncovered. I pray for rainy days. I watch myself and others tripping over, time and again, wearing clown's shoes - floppy and ludicrous. And I remember the dull ache of when I got it somehow right, and began to walk properly. When ecstasy left.

     
Where're the dinghy days, I wonder? Days when I was salty with sun and sadness and I pulled my flaccid boat to the beach, just to keep myself from sinking. When the sea was a home, a bed to lie in, a friend, a screaming companion in blue and green; a rage of sunlight, seaweed tangling my toes. It made the memories of Mum swim somewhere further out, somewhere deeper I didn't have to go. Out in the waves, alone, flapping my arms like a seagull, I gave into the sky and floated.       

That was the year when I couldn't take in what was happening to her. The year that the sea-front kept me alive. How strange then, that this year I say: keep me out of the light, keep me in a mossy cavern where I can hear the trickling water. Where I can just lie, and listen.

Bank Holiday

Twenty to midnight. This is the last thing I should be doing. But I'm here, at this screen, fingers fumbling over buttons.

So this is the crux - I find myself at that place, the place of no return, where I am scattered to the wind a thousand times over, waiting for the pieces to blow back into a self again. I tried to hold it, and I couldn't. I tried to keep it in a shape that still looked pleasing to the eye, that could bathe my ears in a comforting sound. But it broke out, and now we're all running.

Looking at it another way - it's a late night, after a hard weekend, following a tough break-up and too much alcohol. Hardly surprising if my heart's on the floor (better sweep it up with tomorrow's litter). Another day blinks at me, and we all find a way through.

In a week it'll be two years since Mum's final stroke, two years that she's been lying staring out of that goddamn window, without a thing we can do about it. Two years since I last heard her utter a word, or since she looked at me and I could say "Mum, I love you" and know that she hears me. Two fucking years. So I'm parentless, childless, a plastic duck bobbing on top of the bathwater.

It's also, unbelievably, almost six months since David died. I can't really think about him, but the loss works on me in inexplicable ways, twisting my life in its hands.

Today I walked with friends through caverns of green, emerging into sunlight, down lanes, unwinding, winding. A sip of pale ale, a search for cream tea, heat and damp, rain and warm. England at its most omniscient, its most lordly; giving of itself; springing into skylarks, whooping over hedgerows. Breaking out the wheat fields into dappled joy.

I know the grace that surrounds me, the friends who love me, friends I could not do without. So I sit and I listen, watch summer run its course, feel it lean in and whisper. And everywhere buttercups offer themselves up to us, as they tear across Sussex meadows.

And I remember, how two years ago, I stood on the bank of a Hawarden stream, gathering posies under the hazy blue sky. I made buttercups into a shiny yellow fist, took them to the hospital. Behind white curtains, under the rhythmic pulse of the ventilator tube, I placed them in a vase for my mother. They were the yellowest things I had ever seen.

My sisters and I gathered around, clucking and fussing. And if she ever opened her eyes and looked our way, we smiled. I might have shown the buttercups to her, placed them under her chin till they glowed. But she was a closed, quiet flower, petals sleeping - a perfect stalk, returning underground.

Monday

There are days that begin with a strange hue, that open their curtains to a light never seen before. Today began in smoky greys that crept under my eyelids like ghosts from the sea. I'd been dreaming about a ship off the coast of Morocco. I was staying on it, taking breaks from it to visit this little village on the Moroccan coast. It was always tricky getting back out to the ship, so sometimes I would stay overnight in the village.

However, one time I had to get back to the ship. The only way to do so was to sail out to it by dinghy. This was a risky thing to do. Lots of people did it, but many got lost on the way. I had a friend who had been blown all the way to Nigeria by harsh wind currents. The golden rule was this – no matter what, you had to reach the ship before nightfall, else you would be adrift without any sense of direction, heading out into the empty ocean.

It was a strange dream, full of unhelpful people and cool characters. I undertook the journey back to the ship with a friend of mine. She turned out to be rather immature and annoying, and insisted in stopping off for food in this town we had come across, even though time was precious and night wasn’t far away. I began panicking. As we left the café, I saw that our dinghy had been stolen. My friend and I walked up this road in search of a boat to borrow. As we did so, a Christian woman preaching the word of God came up to me. I waved her away, pre-occupied as I was by my dilemma. I didn't need her preaching; I didn’t need her agenda. My friend however, stopped and gave her a broken string of beads. She smiled.

Halfway up the road, I collapsed in despair, knowing we'd never get to the ship before nightfall. As I slumped against a wall, the woman caught up with us, a man joining her. They were talking about God. His legs were crippled. He said, to no one in particular "People ask how God could do such a thing as to make me lame. But look at these legs of mine - they are simply just different from yours. They have their own shape. They have their own beauty. I am grateful for legs like these."

As I felt myself waking up, I decided to stay in that village for the night, and set off for the ship again in the morning.

So this smoky morning is filled with that dream, and my own sadness. On a daily basis I convince myself that I am over things, I am on top of these losses that drift in and out of my life. But they weave their own spell; they inhabit my dreams, and are there when I wake up.

I think about Mum, weaving in and out of her own dreams. It is a peculiar kind of loss, I think, to mourn those still alive. But every loss has its own sad flavour and each bleeds into the other. I am missing my friend, David, and his death has its own mystery and shock. I am also missing what I could have had, had my life been different and I'd made different choices. I don't regret, but I do mourn.

Today isn't a heavy, foreboding kind of grey. It is light and wispy as a mouse’s fur. It fills the streets outside and the air in the sky over Brighton. It curls around the pier like a tail and disperses with the seagulls taking flight. I breathe it in and swallow, feel it welling up in my eyes. I realise that my heart is a slate, and I write my longings on it with a soft piece of chalk. I don't know how to say goodbye. If I could write that; that is what I would say.

I've got a new teapot, a lovely green and glassy Christmas present. It is sitting on my table under the window and, magically, looks like it has always been there. I have a not-so-secret belief that tea cures everything. So I dry my eyes and put the kettle on, warm the pot. This magic ritual is a supreme comfort; it is an act of love. I don't want to open my doors to anyone today. I want to hide with my teapot and my chalky heart until day passes into night. But life isn't made like that. Things press on. I must open my curtains and move.

...

I wake up, stretch. I make tea, cross the room, I move back again. Turn on the computer, turn it off again, shut the door behind me, check it's closed tight. Down the stairs, out on the street, through the rain, passing windows with the lamps just coming on in them, past windows with sticky signs in them selling flights to New York, Paris and the Costa Brava. I am happy. I'm on the move. There is a safety in my step. I buy a scarf. I scour the wet streets for the reflection of shop lights. There's a warm fuzzy feeling inside me. I walk home.

But back inside, a familiar feeling, one which usually comes only during the night, when I and the world are fast asleep. It came last night; I awoke abruptly and stumbled, half-asleep to the bathroom. Night-time is when another me emerges from deep inside, a me I don't recognise. A time for blackness to come running, for a cold clammy fog to swallow up what is not yet left of the daylight. Blocking up my throat, swelling my chest, nothing to be seen. My eyelids droop to the pillow exhausted. I become an invisible ghost, meandering through this room, that room, finding every single one of them empty.

These night tremors, night terrors, which boil me in my own fear, disappear with the morning. I'm left with no memory but the feeling of death on my lips. But was it the man I spotted lurking outside my changing room today, unconvincing as he examined the ties, or the charity shop assistant who looked at me and said "A five pound note? For a 50p scarf?" that chased my heart back down that black road that goes from golden to ash; morning turning into an endless vacancy of stars? I am left quite alone then in the mechanics of my life, oiling the cogs, keeping it moving, mending and re-structuring, whilst the pit opening up in my stomach tells me that this destination is to nowhere, no place to finally rest except the grave, where loss is the only thing I can be certain will never leave. I see Mum's hand, inert on the white sheet. I see my father, turned away. I see three little girls, running.

I realised yesterday, as I discovered a tear welling up in my eye whilst I watched a James Blunt video, that I must be pre-mentstrual. There is no other reasonable explanation for such shocking behaviour. Even so, today I put down my pen, curled up on my bed and let myself fall into the absence, into all the things I wish I had in my life, that I will never have, that are gone, non-returnable, no deposit, finished, done with, ended, vanished. And always at the bottom of it, is my Mum's hand, the softest hand in the world. Once it stroked my hair. Now I stroke it in my mind, kiss it lightly and pray for its warmth to stay with me for just a little while longer.

My life is ok. I can't complain. But when a mood such as this takes hold, there's only a bullet or a hatchet that could feel more sharp and more deadly. Outside, it is raining again, as it has been for days, people strapped into their houses as the water pelts down the streets. I am glad for security. I do not feel guilty for wanting what's safe. No, actually, that's far from true. I am perhaps the greatest devotee of the God of Loss. A true believer. But blackness inevitably passes, leaving only a trace of its scent; a cool, musky, damp scent of freshly turned earth.

tuesday

Though I'm pretty sure she doesn't know it, it is Mum's birthday today. She is 72. This is a picture of her with my sister and Aunty before her last stroke, looking happy in the sunshine.


by e.e. cummings

if there are any heavens my mother will (all by herself) have
one. It will not be a pansy heaven nor
a fragile heaven of lilies-of-the-valley but
it will be a heaven of blackred roses

my father will be (deep like a rose
tall like a rose)

standing near my

(swaying over her
silent)
with eyes which are really petals and see

nothing with the face of a poet really which
is a flower and not a face with
hands
which whisper
This is my beloved my

(suddenly in sunlight
he will bow,

& the whole garden will bow)


x x x

Two Left Feet

Tonight I think I need to confess how I'm feeling. Well, I probably don't need to, but I want to; so forgive me for using you as a kind of therapist's couch this evening. For I am confessing to being a mess.

In fact, it was last night when I realised what a mess I was, as I struggled out into town to band rehearsal, full of some strange flu-like illness, and sat wobbling on a high black stool listening to piano keys clunking and red wine being supped. I felt tears pricking my eyes and a familiar welling up inside. Shit. The penny dropped. I am all over the place.

Then something else happened. Something that rarely happens to me. Instead of feeling upset, anxious, fearful, confused and stupid about feeling a mess, I suddenly was overcome by a feeling of alrightness. Absolute alrightness. And I liked it.

I'm one confused human being at the moment. I wonder if this is why, when I am falling asleep last thing at night, my heart keeps doing little pirouettes in my chest and why my dreams are filled with psychopaths. Why I keep having to trim my hair just that tiny bit shorter. Why one day I wear low-cut tops and the next I find myself in high collared shirts. Why I reel from reading the biography of a saint to writing songs about strange animals to compulsively watching a tv show where women are dressed as men and strap-ons are as commonplace as the next soya-decaf-frappucino. All this might not sound too significant, perhaps a bit drama queeny, if you don't know me that well. Or maybe even if you do. But who I am doesn't add up anymore. It doesn't add up.

Tonight I feel less welcoming of this fact. I feel disarmed by myself. I'm also aware of the fact that I'm going to be back in Wales in a couple of weeks, and I know, deep down, I'm really frightened because it brings the mess of me right back into sharp relief. It brings back how confusing life is, and how hard it is living under the shadow of Mum's state; knowing how I've been blocking it out these last months, because if I didn't block it out, I would have become a mess, and I don't want to be a mess, I want to be ok.

So the mess has to cope with only getting little outings, little forays into the world of Clare. And the rest of the time, it is strictly relegated to the world of dreams.

As usual, there is a good side to this. Whether I let it in or not, the devastation of Mum's condition is working on me night and day. And the price I may pay in sorrow for this, is reaped back through all the cracks that grief shows up in my life. It prises the cracks apart so I can look inside and see what truly makes me tick.

I thought I liked it better when I supposed I knew what made me tick, even if it felt constricting and suffocating, like a silk stocking tight around my throat. Now, I don't quite know what to do with all this air. Or what this feeling is in my lungs. I know too well the sting of life. And how things can fester. But this breath inside me, well, it's equally as terrifying. Such a grave responsibility it is: stepping into one own shoes.

I've been having email contact with the Poor Clare Colletine Community lately, whom I spent almost twenty years growing up next to in North Wales. I initially emailed them because I visited their Convent earlier this year when I was home to see Mum in the nursing home, and the experience affected me deeply; it was very healing. It's been lovely to have the contact with them, and keep up my connection with St Clare and St Francis, and feel there are presences and people out there who are praying for Mum, for all my family really. It makes holding the hugeness of our situation easier to bear.

Today, they sent me some pictures, which was touching, and I've included them in this post as it was St Clare's Day on Saturday.



Here is the dormitory where she lived and died.



And here's a picture of Mum before her last stroke, opening presents on her 69th birthday. I haven't been able to look at photos of her for a while now, it's been a bit too much to take. So it's good to look again, and see her in all her loveliness and with her hair in plaits.

Sunday Morning

First of all, apologies to all who are still reading my blog for the ridiculously long time since I last posted. I've been caught up in other things, mainly making music. I seem to find it hard to keep up both music and writing equally, so either one or the other tends to suffer.

I'm just back from Mary Magdelen's church. It's an eccentric church, so it doesn't surprise me that I was drawn, via various links, to that one. The priest isn't exactly run of the mill, and the congregation - well, they're a motley crue of oddballs, eccentrics, underprivileged young people and addicts.

I rarely leave church without having shed at least a few tears. It's powerful on many levels, and some of those levels are in fact a strong sense of alienation from some of what Catholicism teaches and preaches. This, combined with quite an overwhelming sense of devotion and my heart feeling moved in ways it hasn't before, makes it potent and unsettling.

I was talking to a Buddhist friend last night about Catholicism, and he was talking about his views on the Christian God. In his mind, God is a powerful force, but one which is essentially still an other power, and therefore ultimately limited. On the other hand, in Buddhism, sunyata or emptiness, the Buddhist vision of reality, transcends all dualistic notions of self and other. Therefore, the notion of a God being somehow outside of ourselves, or something/someone to worship no longer makes sense within this Buddhist framework, because there is nothing to worship and no one to 'do' the worshipping. I guess that follows then that there is no sin, no sinner, no saviour, no heaven or hell.

However, I'm not so sure about this. To be honest, I don't think I've yet met a single person who seems to have transcended this 'dualistic' state of mind. And I think inevitably, even within Buddhist thinking, non-duality, like everything else becomes a concept, one we can talk about, even debate or argue over. It can become as clear in our minds as God can be to a Christian. Buddhists have their beliefs just as Christians have their beliefs, noble beliefs, I think, by which they can structure their lives, but I personally feel it is very hard to talk about such subtleties and mysteries of reality at all, and once I get into the realms of what my friend was talking about, I'm not entirely sure how relevant it is to me at this point in my life, or how easy it is to work out.

The sense I have during Holy communion, despite not even being able to take it myself, is of a power or spirit or divinity coming through. And yes, these terms, spirit or divinity and so on are limited in a way by their language of 'otherness'. But my personal experience of what one might call God has felt profound and mysterious, in some respects even more so than any experiences I've had through meditation. I've felt such a powerful element of surrender in Catholic Mass, and of something else stepping in which does not enter through one's own will or effort, but simply by being open to it. A force of love entering oneself, and purifying all that it comes into contact with.

I have said to some of my Catholic friends that my interest and intrigue in Catholicism has nothing to do with wanting to feel like I belong or needing a sense of community with others. I've already got that in my life in so many ways. I'm not looking to have a conversion, I've already had that when I first discovered Buddhism over twenty years ago. Some Catholics have said to me that when they came to Catholicism it was a coming home, and that they find supreme comfort in it. For me, I've felt like the last thing I want from Catholicism or any other spiritual path is to 'come home'. I'm more and more wandering away from 'home', away from the places I thought were the answer, because as soon as I feel like I've arrived, like I'm home, I get comfortable and want to put my feet up and stop searching. Once I think I know the answer, generally, I'm in danger of becoming a bit blinded. However, as I kneeled in church today on that hard wooden block, and Fr Ray lifted the bread high into the air and muttered, I realised that I'm not sure that this is totally true.

When Mum had this last stroke which brought her near death and has kept her in a perpetual near death state for the last year, nothing really could touch the vastness of that situation. And I wanted Buddhism to be the thing that came along and took hold of my grief and gave me a sense of something that could meet this huge event. And I guess, in some ways it did. But really, it was, by various turns of events, Catholicism that offered itself up and somehow met that need in me for something that could hold what was happening to my Mum, to my family and to me. It wasn't dwelling on sunyata that did it, it was experiencing God in some funny convent chapel with a load of eccentric nuns, next door to the house I grew up in. It was in the feeling that came upon me when I left church one evening and was walking down my street, that I was truly loved, and that this love was greater than anything I've been able to imagine before, which made me almost fall to the ground. And when I go up to the priest and receive a blessing, when I pray, when I witness communion, I have to say, yes, I do feel comfort, a deep comfort, a comfort I never thought I needed. And it does help me to be able to get on my knees and just pray for my Mum and for my family, for myself in a sense, because I realised in Mass today - my family and I need all the help we can get at the moment. It does bring me some consolation, and I don't think that is a bad thing. In fact, I think consolation is a beautiful thing.

The situation with Mum is so heart-breaking on some level, it doesn't really help me ultimately to think in terms of karma, or the four noble truths, or even impermanence. To an extent it does, but the truth is, on some level I'm starting to more deeply understand what life is, what death is, and it's a fucking hard one to face, but I'm facing it. Impermanence is there at every turn. What I really need is love, a love that knows no limits, that seeps into every crack in every broken heart and eases the pain. I want my Mum to be prayed for, given consolation, a balm upon her weary forehead, and I want holiness to surround her. At the moment, going to Mass puts me in contact with a much needed sense of benevolence.

I don't see God as outside or within. I don't know if it's both or neither. It is a mystery I cannot explain. I'm happy for now to leave it like that. This mystery they call the Holy trinity, the body and the blood, crucifixion and resurrection, the wounding and the healing, this brings me comfort at a time when I thought comfort was gone forever, and that it was a luxury or privilege for those who haven't yet had to contend with the reality of death.

Mother's Day

They are selling cut-price flowers in Tesco's, for this special day, for all those last minute sons and daughters.

I came back from Wales yesterday, on a long Pendolino train which arrived at 11 o'clock in the evening, then I caught the last bus home. Today, I am shattered, and have been attempting to cultivate a pottering state of mind - one which concentrates only on the unpacking of tea cups, the re-aligning and colour-coding of books on shelves, and the playing of crap bubble-bursting logic games on my mobile phone.

I knew at some point today I would need to sit myself at my computer and attempt to recapture the last few days, and I knew it wouldn't be easy. My heart feels like it has been pumped with helium, so swollen with life, it is, so engorged with feeling, I fear it might just sail right out from under my tee-shirt, out of my living-room window and into the dark rainy night.

I arrived in Shotton at lunch time on Tuesday, tired from the train journey, the early start and the lack of sleep I've become used to in these recent weeks of late night music and writing sessions. I have been wanting to see my sister for some time, we met jubilantly on the station platform, caught the train together to our village and walked home.

As I sat in my Mum's old bedroom, which looks out over the playing fields, I could see, through the trees in the distance, the partly hidden walls of our old sprawling family home, the house I grew up in from the age of four until I moved out at eighteen. With its vast tangle of bushes, trees and flowerbeds, its large echoing rooms, the endless driveway, it is still very much a mythical place for me, a place I still dream about, I still think about. It is a house of so many memories, and I'm still trying to understand and come to terms with what went on within its four walls.

I've known for a while that I needed to go and have another look at the old house. I hadn't seen it close up in some years, I've avoided going up our old road. Right next to it stands the Poor Clares Convent, just on the other side of the wall. I hadn't been back to the Convent since I was a little girl. I have known for a while that I've needed to return here aswell. I've wanted to see what it was like on the inside, as I can't remember from all those years ago, and I've needed some answers in order to piece together the missing pieces of a puzzle that is my childhood. So I have needed for a long time to go and visit the Poor Clares. This week felt like the right time.

I can't locate much in my memories of childhood that, looking back, seem normal or ordinary, if there is such a thing. At the time, I thought that was just how things were in family life, it was all that I knew. But I so longed to be normal and ordinary, in an ordinary house, with an ordinary family, ordinary friends, ordinary wishes and an ordinary experience. The more I look at it, though I know that the idea of a normal family-life can only largely be myth, the more I think what an extraordinary existence in some ways my childhood and teenage years were.

However, when I remember, it is usually the bad that I remember, the darker parts, the shadowy overhangs of branches in our gardens, the crawling in the undergrowth. It is the creaking in the loft above my head, it is the white statue on the lawn that, in the night, always seemed to be moving. It is the death of the bumble bee in the spider's web next to our back steps, it is the crying in the night. We kept the back door locked tight and the front door gleaming with red gloss paint and a brass knocker.

This is what stays with me most, the feeling that someone was always hiding in those tall poplars that lined our long driveway, that there were forces out there, surrounding us that me and my family didn't want to know about. We were all haunted.

But then there was the Convent, with its clock that chimed on the half hour, with its Cross that stood tall above all our heads. I would hear the nuns singing in the morning at dawn, as my mother took me by the hand and gently led me down the front lawn when I was little and I couldn't sleep, and the sun was just beginning to shine and birds were just waking.

There was something about the Convent that I didn't understand, but which has affected me all my life. I am only just realising why. The nuns would come and visit my Mum and they would bring us hand-carved Crucifixes and tiny painted nuns made out of wooden clothes pegs. I would keep the prayers of St Francis on my head board, stuck with blutack, and I would pray every night and feel the kindness of those words trickling down my forehead.

..Lord .. grant that I may not so much seek to be consoled as to console; to be understood as to understand; to be loved as to love. For it is in giving that we receive; it is in pardoning that we are pardoned; and it is in dying that we are born to eternal life..

A thread has run through my veins and through my life from as far back as I can remember. I still don't quite understand it, and it is still unravelling. It runs all the way back to my childhood, to the old house and to those closed Convent walls.

Wednesday

I went to see Mum at the nursing home the following day. She looked crumpled, lying in exactly the same position she was in some months ago when I last saw her, as though time had stood still. The only difference was the paleness of her skin, and her eyes. It broke something in me, to see her like that. When she looked at me, she seemed to be saying 'get me out'.

My sister had made a compilation cd of all my Mum's favourite songs and show tunes. I put on It's Not Unusual. Mum used to love dancing around to this, shaking her arms from side to side, swaying her hips. She fancied Tom Jones like mad. Then I put on Copacabana and sat by Mum's side singing along, my sister in the background doing a little dance. There was no response. In the end we turned it off. I remember watching Barry Manilow concerts on the telly with Mum in the living room when I was growing up. We'd sing along, especially to the slow ones, where the middle-aged women in the audience would sway in unison to the music, holding their lighters in the air high above their heads.

Emma went off to give me some time with Mum alone. I put on Relaxing Piano Classics. I really don't know what Mum makes of all this. I sat next to her by the window whilst Clair De Lune played. Mum stared out at the same spot she always stares at. A robin hopped onto the bird table outside, and started pecking at seed. I pointed at it, encouraging Mum to look. There was a flicker of interest in her eyes.

I watched her, watching the robin. Then I turned back to look at the robin, so tender and slight, flitting about the table. The piano ebbed and flowed like white foam on water. I felt myself breaking into tiny pieces, dissolving into the sound of the piano keys, the sight of the pecking robin and the blue of my mother's eyes.

~~~~

We went to see the doctor early next morning. I trembled as I went inside her room, as she asked my sister and I to have a seat.

Here was a kind doctor, whose words were a balm on all the cuts that have been building up on me since my mother's first stroke, over six years ago; on all the cuts that the tens of doctors who haven't understood, who haven't bothered, who have deprived us of answers, who haven't had the time to care, have left. For the first time I felt I was being listened to.

I tell, for the first time, how I feel about my Mum being kept in this awful state, where she is neither here, nor gone, powerless and voiceless, forced to reside in some half-way world, unable to let go, unable to return. I have become sure that she doesn't want this, that she isn't a willing participant in what the doctors have decided is the easiest course of action. It is one that we never had any say in, and Mum certainly didn't.

I expect the doctor to fob me off with platitudes and protocol. Instead, she turns and says to us "It's no way to live".

When I see my Mum later, I feel differently from the day before. I feel like I can finally look her in the eye and say "Mum, it's going to be alright".

A history of my Religion

A couple of Saturdays ago, I went with a friend to Catholic Mass at a local Brighton church. The yearning to go there had started before Christmas, when feelings of grief over my Mum's condition peaked, and I couldn't see any real point in existence, if where it was to lead ultimately was simply dissolution, pain and death. The need for something big enough to hold this experience came to a crisis point.

What actually moved things on for me was listening to a talk by a Buddhist Order Member, Danavira, on death and dying. I sat, lights out, in my front room for two hours listening to the recording. The impact of it went directly into my veins and bones. It took on the horror, the devastation, the messiness and complexity of death, and ultimately, its utter profundity. Danavira's words were big enough to meet the immensity of my insights and emotions over what it means to live and to die, to be born and to decay.

Months earlier, in October, I walked up Snowdon with Bob, the first time I have ever hiked up a significantly large mountain. I found, in the climbing, that, having seen my Mum in hospital just days before, this was a mountain huge enough and powerful enough to take my grief, big enough even to hold Mum herself in her dying state. So tiny, I was, climbing the vast expanse of its stomach, I knew that the mountain understood and held me fast. Now, I am not speaking symbolically or poetically here when I speak of the mountain holding me, I mean it absolutely literally. I tangibly felt that presence and character of the mountain surrounding me. Because of that, all my grief and sorrow turned to amazement. That one primal, unanswerable question that I ask myself in every moment of grieving, "How come?" returned to me in the single voice of the mountain, not through words, but through a sound. It was a resonating hum, that the peaks and the valleys and the woodlands and birds and the small climbing bodies of hikers were all making. This is it. This is my answer. Everything I need is here.

I was surprised, then, when it was talking about Saints and Catholic Mass with some Catholic friends of mine that aroused such a strong feeling of yearning in me, rather than Buddhism. After over eight years of Buddhism being almost my whole world, in terms of way of life, friends, commitment and philosophy, I have drifted from it over the last few years, in order, I think, to go more deeply into my own experience of how things are and who I am, through writing, poetry and making music. Language, specifically poetry, and music, unlock realms of reality and experience I've never known before, and I can only seem to experience them through creating in this way.

And when I had what might be called mystical experiences some years ago, which totally tore down and rearranged my life, it wasn't Buddhist teaching that I felt was being revealed to me directly, but a direct and non-rational experience of healing, grace, and the presence of angels. This disturbed me greatly at the time, as it didn't fit with what I believed of reality, and not many people around me seemed to know what I was on about; only the the reiki healers, the lost shamans, the acid casualties, the people who had found God on the roadside.

I have always been attracted to the imagery of Christianity, to the blood and redemption, the wounds of Christ, the choirs of angels and the Saintly lineage. But there is more to it than that. I am drawn to the lineage of Christian mystics in the same way that I am drawn to the lineage of Nyingma cave-dwellers, or the seekers of Divine union in Sufism. The practice of direct communion with God, if you call it that, or with Reality or The Divine, if you call it that instead, feels like the truest form of practising any religion for me personally. It is helpful at times for someone to tell me about God or The Buddha or the holiness of existence, but ultimately, I have to plug into that directly myself. And that is never easy. But I relate to the convulsions and stripped back wonder of certain Saints, the fighting of demons in the mountains, the visions, revelations, hallucinations, the manifestation of stigmata, the terrible angels of beauty descending. And I relate because it feels like a world that I already live in.

Going to Mass that day blew my mind. The ritual blew my mind. No wonder the Spanish go to the bullfight on the Saturday and then take Communion on Sunday. The two seem inextricably entwined, to me, bullfighting and Catholicism. And the Mass spoke to parts of me that even Buddhism has not reached. It is poetry to me, amazing, cataclysmic poetry. And, if I look at it it as anything but poetry, in the biggest sense of the word, my fear is that it is also quite possibly a form of madness. In this way, I am still scared of Catholicism, rightly or wrongly, in, as one overseas friend described it, its strange rites of supernatural cannibalism. But then I have always been attracted to things that dwell in equal shares of darkness and light, and poetry did always tread those pathways between the sane and the crazily lost.

I was scared at the thought of returning to the Convent. I was scared that I would be disappointed by what I found there. I was scared that I would not be disappointed and that it would show me all I hoped for and suspected was there.

When I rang the Convent bell, an old nun came to the door and invited me in. I said to her "I used to live in the house next door, for over twenty years. But we moved out years ago." I had no idea if she was even at the Convent during that period, as I know that most of the nuns from then have either moved on or died. She smiled at me and said " Are you Clare?"