Wednesday, March 30, 2011

Northern Lights

I read an interview with Bill Drummond the other day, in which he talks about nostalgia. He describes it as a sickness to be cut out because it tells us lies about things being once better than they are now. Forget the past; think about today. As someone who spends a lot of time writing about the past and trying to make sense of it, I’m not sure how much I agree. I certainly can romanticise it, but not because I see it as better than the present, but largely because I view it as infinitely worse. Oh, the terrible times I lived through!

There are many things I don’t want to remember. The past tugs on my arm, demanding to be recognised. I turn the other way. “Oh no, we’ve never met before”. I shrug it off. How many of us do this – hiding in the present, scared of who we once were? The past would haunt us if we let it. But we won’t. We cut out nostalgia, and with it, remembering.

I think that’s why places from my past fascinate me, and why I can’t ever quite leave them alone. Because no matter how much I may think my life has changed, there’s always a little bit of myself I leave behind, like a photo, tucked inside some old jeans pocket. I never quite know when I’m going to accidentally pull it out, and feel surprised.

The other day I posted pictures on Facebook of my recent trip up North to Yorkshire and Snowdonia. They reflected back the dark, brooding mists of my homeland, those places I love so much. I can so easily romanticise the North from my flat in young, happening Brighton, with its candy-rock Palace Pier, it's everlasting stream of clear sky. I forget the days when I couldn’t wait to get the hell away from there.





Though I studied in Manchester for five years, it’s not fun college times I largely remember. It's days spent wandering the collapsed city centre immediately following the IRA bomb explosion in 1996. Ooh, what a laugh I am. As someone standing right near where it went off, it would have killed me and probably a thousand others had the IRA not issued a warning and the police been so quick to react. I’d stare at the blackened hole, leaning into the mesh that separated me from it, wishing I could wriggle underneath and walk unfettered through the dark heart of Manchester, through the ripped out concrete shells I’d once shopped in. Royal Exchange, Corn Exchange, Arndale Centre – all Manchester landmarks and great seats of consumerism, reduced to rubble. Just as vulnerable and fragile as me. In a strange way, it made me want to laugh.

I was upset when they began to rebuild it. I wanted something of that charred, empty space to remain, to remind everyone of the terrible thing that had happened. Now, I hardly recognise Manchester anymore. The shops are bigger and better and the Corn Exchange where I used to work - a crappy flea market filled with dodgy watch-dealers and astrologers - is now a Harvey Nichols. People don’t want to walk past a reminder of a city’s grief. They want the future. They want tomorrow.

Who can blame them? The last time I was in Manchester, I looked up at the sign on the wall of The Hacienda Apartments and thought ‘I could be sad about this, but the irony is too great.’ Perhaps those who, twenty years ago waved their arms up and down on The Hacienda stage off their nuts, were the same people who now drove their BMWs into the electronically controlled Private Parking spaces under the building and, kicking off their shoes, looked out over Whitworth Street and smiled.

Is this nostalgia? Wondering what I’d have done without that nightclub, the drugs and the dungarees, the Frankie Knuckles mixtapes and the dream Ecstasy gives you at that age? Standing on the corner of my road, aged fifteen, with my sister and some lads from Blacon who made acid house music on computers, shouting “In the beginning, there was House!” at old ladies in Mini Metros. Done my homework? Actually listened in Geography class?

Dashing in from school every Friday, I’d throw off my uniform, pull on my Kickers and wait for the car that would drive my sister and I up the M56, past Helsby Hill, past Runcorn chemical plant into Manchester. As we drove into the city centre, I’d catch sight of the queue that snaked half a mile down the street, my fake ID trembling in my hand. The doors would open and that familiar thud of bass-line and dry ice would hit me. I'd sip my coke, a pill sliding down my throat. Then half an hour later I’d push my way into the thick of it; sweat, bodies, faces, smiling, a crazy rush of communion, screaming up at the DJ box, “come on!” chanting like a tribe to its leader. I was home.

Bittersweet times. Isn't that youth at it's best? At its height, I fell in love with a boy in a pink NafNaf sweatshirt, who had black hair that curled over his ears and a dog called Blackie who bit my ankle. Pretty soon, I’d left the Blacon boys to their drum machines and started instead driving to Manchester with my new dark-haired boyfriend and his mate. We’d tear up the highway in his friend’s Rhosddhu Carpets van.

One morning, after a night at the Hacienda, my new boyfriend and I wound our way through grey tenement blocks and chip papers, to where the thudding bass continued all through the night. Hulme was beautiful to me then. We pushed open the door of a squatted flat, filthy with three-week old leftovers, swarming with flies in the July heat, trying not to touch anything. Then he and I lay down on a dirty mattress and held each other and looked into each other’s eyes, sunshine already breaking through the torn sheet across the window. It was the first time I’d been touched where my desire felt like something real, not something expected. I almost lost my virginity that morning, but we stopped last minute because we didn’t have any protection. I didn’t want to end up some girl pushing a pram at fifteen. I wanted to write, be in a band; get a degree. So I cried out, his hand between my thighs “Not now! I don't want to end up like bloody Michelle Fowler off Eastenders!”

On the way back from Snowdonia last week, we drove by the village where I grew up, so I decided to pop in on my sister. A familiar feeling of love and panic hit me. Beforehand, we drove to the cemetery where Mum is buried. However, when I arrived, there was no marking post, nothing to tell me where she was. Poor Mum. I rang Flintshire County Council and wandered through the graveyard clutching my mobile until they eventually found me her plot number. I sat down, feeling angry and sad. “Sorry Mum”, I said.

The last time I went to her grave, I lay down on the grass beside her, just as I’d lain the last time I saw her alive, struggling for air through a face mask in Wrexham hospital. I’d talked and cried, rubbing my fingers in the newly turned soil. But this time, my words evaporated in the silence, until, cold and hungry, I eventually got up and left.

Wednesday, March 02, 2011

The Scarf




I thought all I had left of him was a beige cashmere M&S scarf. This scarf is soft as cat fur. It goes everywhere with me.  A gift, one Christmas, he’d left it in a flat box, slipped between two others, on my Mum’s front step. He’d left gifts for several years after I stopped seeing him. We threw all the others away – on principle, you know? But I couldn’t bring myself to part with the scarf. Then one Christmas, all through Christmas Eve and the next day, I opened and shut Mum’s front door, snagging the holly wreath, letting in a chill. But the step remained empty.
     
That was the end of 2000. Tonight, as I returned home across town through a windy drizzle, I knotted that scarf around my throat; pulled it up over my mouth. I remembered our phone conversation, a week ago.
     
It was as though no time had passed at all. The first thing he said to me, after ‘Hiya love,’ was ‘There’s a fella here I’d like you to meet. History Professor. I’ve told him all about you. He's two beds down from me.’ That’s so Dad. Twelve years of painful nothingness between us and now he wants to show off his ‘clever daughter’ to the man in the other hospital bed. It was sad hearing him in the ward. The nurse talked about him being up and about on his Zimmer frame as though that was a good thing.
     
Zimmer frame?
     
The second time we talk, he tells me ‘You always were your mother’s daughter.’ Asks me what we are doing about Mum's house. ‘We’ve got to go for probate,’ I say, not mentioning the protracted grief, trauma and health problems my sisters and I have endured since our mother's death. 'But then I think it’s best that we sell it as soon as’. ‘Very sensible,’ says Dad. ‘You want shot of that millstone.'
     
 I’m stunned by the mysteriousness of my Dad’s life: it lies behind a door I’ve never opened - I never even so much as curled my fingers around the handle. Dad gave himself another family, another wife and stepchildren, even grandchildren. How did he do all that... without me? I know virtually nothing about the last twenty years of his life or the people in it – just a few names. In my mind, my father has stayed the same man as the one he walked out as in 1991, wearing the same clothes, holding the same attitudes, and with the same mistress. He's occupied some ethereal space in the back of my mind. I've had vague images of a hump-back bridge, a quiet leafy lane and a bungalow, paintings of landscapes from our old house hanging on its salmon-coloured walls. 
     
But for my Dad, of course, life moved on. For over half my own life-span, he’s lived another life – full, not empty and containing something approximating love. The mistress became his wife, the blonde bit of stuff became his step-daughter. Then what? Holidays to the South of France? Afternoons out to stately homes, with a cream tea for afters? Cosy nights on the settee front of the box? The question mark he left for us, his three children.
     
I’m not angry with Dad. Not now. Not today. Too much time has passed, and there is so little time left. It’s funny, he sounded like my Mum on the phone – that same softening of the palette, that child-like laugh. Is that how all people sound when they’ve reached a certain age or degree of illness? And a Zimmer frame. Bloody hell! That’s a far cry from his purple Porsche blasting 120 down the motorway. Dad shouts at the doctors, and argues with the nurses about his medication. That man could argue his way out of any situation. Any parking ticket. Any hotel bill. Any extra-marital affair. My Dad, the self-made man, unmade. He falls over on the living room carpet. Is at the mercy of medication and heart monitors, bad hospital food. He loves his food, my Dad. Butter spread thick as cheese.
     
I want my Dad to be happy. Not lonely under thin white sheets. Scared. Still I wonder how he lived all that life without me. How it became normal, to make me into a memory. It’s not nice feeling erased. So of course, I erased him, or tried to. I know when I’m not wanted.
     
When something has gone, it’s gone. And if it was never there, nothing will ever, ever, make up for it. Some people understand this more than others; they’ve learned it by experience. Yet so far, a couple of phone calls to my Dad have made a difference. Everyone has such a different relationship with their parents - and some people are better at being parents than others. Some are just plain rotten. But good or bad, the relationship simple or complicated, your mother, your father – they made you what you are today. Call it biology. Call it blood. They bloody know you.